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Word: riche (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Heartfelt congratulations to New York State for giving to Nelson Rockefeller such a large welcoming majority. He is such an unselfish, well-bred man, and rich. He can afford to be generous even to his opponents. We would certainly elect him, providing he wants the job, President...

Author: /time Magazine | Title: Letters, Nov. 24, 1958 | 11/24/1958 | See Source »

...lately, hula hoops. With 140 workers, Chester Cable was the biggest employer in Chester. N.Y. (pop. 1,200). 62 miles north of New York City. Grey and frail-looking, White. 48, lived with his wife and 16-month-old son in a handsome house with a fine view of rich, rolling countryside. Austere and outwardly meek, he buried himself in the task of running the company he had created, but he found time to serve as a Cub scoutmaster, president of the chamber of commerce, a pillar of a neighboring town's Jewish temple...

Author: /time Magazine | Title: CRIME: The Paths That Crossed | 11/24/1958 | See Source »

Yale's passing has been nearly as bad as the varsity's, but the Elis, on the other hand, do have two speedy halfbacks in Herb Hallas and Rich Winkler. These men may well give the Crimson ends a rough time...

Author: By John P. Demos, | Title: Crimson Eleven Favored to Wreak Revenge Against Yale Today Before Crowd of 40,000 | 11/22/1958 | See Source »

...sense, his defect as a dramatist. Since his audience can hardly sympathize with the most basic assumptions of his characters, the intensity of its reaction tends not to be proportional to the intensity of the emotions exposed onstage. For Deathwatch is really far out. Though such a dense, rich play does not easily lend itself to interpretive summary, it appears that Genet has attempted nothing less than a study of the metaphysics of evil...

Author: By Julius Novick, | Title: Genet's Deathwatch in New York | 11/21/1958 | See Source »

...some of them can even act. In this production, John McCollum is as fine a Count Ory as one could want. Ewan Harbrecht, as Countess Adele, has a small but beautifully trained voice, and tosses off all her demanding fioriture with complete case. Ronald Holgate (The Tutor) has a rich bass voice; all he needs now is to strengthen his bottom register. David Smith (Raimbaud) has a pleasingly full timbre, as has Doris Okerson (Ragonda) when she gets over her initial edginess...

Author: By Caldwell Titcomb, | Title: Count Ory | 11/20/1958 | See Source »

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