Word: riche
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Dates: during 1960-1969
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...diamond bracelet is now $1,620 v. $1,080 in pre-Jenkins times; not surprisingly, the jewelers passed the increases along to the customers. The new $1,270 tag on British Motors' Austin Mini reflects a $48 rise in the old $233 purchase tax. Not forgetting the rich, Jenkins also imposed a new one-year levy on investment income, creating a situation in which a man who earns $48,000 in dividends will have to pay nearly $16,000 in taxes...
...reminiscent of scenes from Nurnberg or a Moscow purge. Screen Gems' Harry Ackerman, one of TV's hottest hit makers (Dennis the Menace, Bewitched, The Flying Nun), conceded that the only hope for quality programming is a fourth network, run by Washington. Another visiting professor, Lee Rich, TV vice president of the Leo Burnett ad agency, said that there is nothing original or worth watching on the air. He blamed the industry primarily, but thought the government could do more. "The FCC should be taken out and machine-gunned," he said half facetiously at one point. Rich cited...
...three soloists in the Carmina were all praise-worthy. Unconditional raves go to James Jones. His voice is an incredibly flexible instrument capable of producing a full, rich, often truly beautiful tone as well as a wide variety of expressive registrations. He is a gifted actor as well and a thoughtful application of both these talents produced the most genuinely exciting performance of the evening...
...Junction shouts the ancient news that the rich are different from the poor: they have more money. Into broken-down Battersea comes the classy Kendall, searching for herself. In a few days she finds a factory job, a frowzy flat and a blond boy friend. The appalling squalor of the slums appeals to Kendall, largely because it seems to have the beat of life that was missing from her deadly home across the river in wealthy Chelsea...
...entire approach, Babe emphasizes diverse characteristics of the man as situations arise. Strongest seems a perverse sense of humor: Coriolanus smiles and waves goodbye when he leaves Rome, as if he were leaving for summer camp. Tom Jones is neither larger-than-life, like Olivier (Stratford, 1960), or rich and petulant, like Ian Richardson (Stratford, 1967), and relies heavily on physical presence and quiet emphatic reading of dialogue...