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Word: riche (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

CAMELOT. Joshua Logan's re-creation of the fantasy land inhabited by King Arthur (Richard Harris), Queen Guinevere (Vanessa Redgrave) and Lancelot (Franco Nero) is about as enchanting as a Hollywood back lot, despite the regal talents and rich voice of the leading lady...

Author: /time Magazine | Title: Television: Nov. 24, 1967 | 11/24/1967 | See Source »

...slavery, poverty and log cabins. In the young U.S. was capitalism to place the cornerstone of the greatness and the liberty of a nation, using the slavery of the Negroes and the cheap labor of white immigrants; now the poor Italians and Irishmen are independent and some of them rich and opulent men. I am sure the Negroes will be in the near future. In young U.S.S.R. Communism is to put the same cornerstone using the slavery of its own people...

Author: /time Magazine | Title: Letters: Nov. 24, 1967 | 11/24/1967 | See Source »

...hats as dreams are made of, she struts and swaggers new pizazz into the undistinguished material that Carol Channing, Betty Grable, Martha Raye and Ginger Rogers have done so well by. The Bailey way with a wink or a wiggle or a throwaway line is pure pleasure, and the rich, round raunchy Bailey voice can wrap up and deliver anything singable...

Author: /time Magazine | Title: On Broadway: Dolly Rediviva | 11/24/1967 | See Source »

...have to be Jewish . . ."). Now that he is the top director in TV commercials and earns about $300,000 a year, he is in the fortunate position of being able to turn down six job offers for every one he accepts. He deals only with those few agencies-Wells Rich Greene, Doyle Dane Bernbach and Carl Ally-that will allow him a free hand; in most instances, he is given an outline or "story board" and then "takes the commercial out of the commercial" by improvising freely...

Author: /time Magazine | Title: Commercials: Master of the Mini-Ha-Ha | 11/24/1967 | See Source »

...terror as a reviewer--and treated mediocre work from his friends as a personal reproach. But merciless as his criticism was, the poets treasured it. "I wrote to the mind of Randall Jarrell," Adrienne Rich writes and many of the contributors like her recognize Jarrell's capacity for understanding just what they were trying to do in their poetry, telling them when and how they failed, and encouraging them to keep going. "Twice or thrice, I think he must have thrown me a lifeline," Lowell says...

Author: By Richard R. Edmonds, | Title: The Poet and Critic in Retrospect | 11/21/1967 | See Source »

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