Word: riche
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Dates: during 1960-1969
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...vision is Utopian and full of inner contradictions. In a general way, the New Radicals would nationalize basic industry, although some would only tax it more heavily. "The rich" would also be taxed to the point of doing away with big private fortunes. "We must abolish the competitive ethic," says S.D.S. President Nick Egleson. "Do we want to make 8,000,000 cars a year if we are ruining the lives of the people who are making them?" But, while New Leftists loathe capitalism, they assume that the miraculous U.S. economy will go right on turning out wealth no matter...
Among today's rich blend of young violin virtuosos, it would take a mouthful as well as an earful to match the likes of Itzhak Perlman, 21, Young Uck Kim, 19, and Pinchas Zuckerman, 18. Their close friend and former classmate scores high on all counts. His name is James Oliver Buswell...
Writer-director Vilgot Sioman chose the Big Three issues-Class, God, Sex. And sticks with them. Sjoman cuts to poor people working in the snow if some rich people are riding along in a comfortable coach. A character sitting down alone immediately asks himself how vindictive God Almighty is, while a character at a party asks his unlucky neighbor. In between social conflicts and religious questioning, Sjoman schedules bed scenes. These appear in extraordinary variety. In fact, the movie is practically a documentary on sexual adventure. It presents innocent flirtation, premarital seduction, ordinary sordid whoring, passionate incest...
...first group of mature works, the so-called "veils" and "florals," date from 1954 through 1960. The overlapping washes of transluscent Magna (acrylic) colors on the unsized, white canvas produce a veil-like form whose colors, although rich and sensuous, seem to mystically dematerialize like shifting, almost gaseous, vapors into the texture of the canvas. One wash of color is applied over another, but the transparency allows all the layers to come forward simultaneously. The visual effect is breathtakingly beautiful and bewildering at the same time. As the viewer becomes involved with a specific passage, he feels that...
...with the lyrical, misty spacelessness of the late paintings by Monet. In the Water Lilies, Monet produced a rhapsodic mood of ethereal spacelessness by painting abstract surfaces in which continuously changing relationships of form and color exist for themselves, in spite of some vestigial remains of subject-matter. The rich, almost voluptuous, color of the Louis paintings and the organic growth of the forms have more in common with Art Nouveau. Gauguin's rich palette and his gently curving patterns immediately come to mind. Louis' forms also suggest some affinity to the verdant, celluar shapes in the paintings of Georgia...