Search Details

Word: riche (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...unusual batch of fine literary comedies: ONE FAT ENGLISHMAN, by Kingsley Amis. A rich, arrogant British libertine comes to an Eastern university town to renew his affair with a faculty wife, is thwarted and discomfited at every turn by the colonials he scorns...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Feb. 28, 1964 | 2/28/1964 | See Source »

McHarry had planted the item purely as bait. That same afternoon, when it was reprinted almost word for word in a column in Hearst's New York Journal-American, McHarry had the rich satisfaction of hooking his fish...

Author: /time Magazine | Title: The Press: The Maharaja of Estarh | 2/28/1964 | See Source »

...narcotic fogs, died early in squalor and disgrace or abandoned their promise, to fall silent on their horns. Monk goes on. It is his high philosophy to be different, and having steadily ignored all advice and all the fads and vogues of jazz that made lesser musicians grow rich around him, he now reaps the rewards of his conviction gladly but without surprise. He has a dignified, three-album-a-year contract with Columbia Records, his quartet could get bookings 52 weeks a year, and his present tour of Europe is almost a sell-out in 20 cities from Helsinki...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

...Warren, 24, on bass, and Ben Riley, 30, on drums?have a good feeling for his music. Rouse is a hard-sound player who knows that his instrument suggests a human cry more than a bird song, and he plays as if he is speaking the truth. Warren's rich, loping bass is well suited to Monk's rhythms if not his harmonic ideals; he is like a pony in pasture who traces his mother's footsteps without stealing her grace. Riley has just joined the band, but he could be the man Monk has been looking for. A great...

Author: /time Magazine | Title: Jazz: The Loneliest Monk | 2/28/1964 | See Source »

...exhibit shows the variety of Max Ernst's works. "The Forest" (1926) and "Nature at Day-break" (1938), both oils rich and stifling in their intensity, are particularly striking. Joan Miro's bright colors and large simplified forms, distorted to his purposes, blossom in the famous "Person Throwing a Stone at a Bird" (1926), the large "Landscape" (1927), and another highpoint of the exhibition, "Portrait of a Lady...

Author: By Susan Engelke, | Title: Surrealist | 2/27/1964 | See Source »

Previous | 363 | 364 | 365 | 366 | 367 | 368 | 369 | 370 | 371 | 372 | 373 | 374 | 375 | 376 | 377 | 378 | 379 | 380 | 381 | 382 | 383 | Next