Word: riche
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Dates: during 1970-1979
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Contributor Richard Schickel, who wrote the story that precedes Rich's interview, has reviewed films for 14 years, long enough to have assayed every Woody Allen production since Take the Money and Run. Schickel first met Allen in 1963, when the comic did his stand-up routine on a TV show where Schickel was book critic. In this week's issue, Schickel examines Allen's maturation as a film maker on the eve of his latest and perhaps greatest triumph, Manhattan. To this task Schickel brings his experience not only as critic, but also as film maker...
...Forthcoming, honest and very, very serrious." That is how Staff Writer Frank Rich describes Woody Allen, the film maker, comic and virtuoso jazz clarinetist he interviewed in Allen's Manhattan apartment for this week's cover story. Says Rich: "Because Woody is involved in none of the side-show glitter of the industry, from TV appearances to Oscar ceremonies, he is different from anyone else I've met in show business." Rich first met Allen while writing a profile of him for Esquire in 1977. Rich's own show business career began at age 13, when...
...they grow. They have no eyes, mouth or gut, and absorb nutrients and oxygen through their elegant snouts. Especially fascinating to scientists is the fact that there is apparently no food shortage in this extraordinary unique ecological niche. The warming waters of undersea hot springs serve up a rich diet of bacteria and other microorganisms...
...coming week offers a smorgasbord of activities of interest to the Boston jazz fan; for once it is not only possible but necessary to exercise some selectivity. Boston Jazz Week (April 27-May 6) begins tomorrow, and its sponsor, the Jazz Coalition, has coordinated a rich and varied program of events to help fulfill this year's theme of "Celebrating the Duke" (they don't mean John Wayne). Boston Jazz Week lacks the financial and promotional resources of the Boston Globe Jazz Festival, but it also lacks the crass commercialism that characterized that event; the committment is to real jazz...
...spring of '69 caused few people to regret attending Harvard, but still left many aware that Harvard is not only a school, but an institution--big, rich and powerful. Bernard says, "I loved Harvard. But I also saw that it was a big corporation, fairly insensitive to people's needs." Concern for those needs became a major issue in the strike. Students subsequently worked with tenants' groups in Cambridge and Roxbury, with mixed success. The strikers helped pressure the University into building a housing complex in Roxbury; three buildings in that project are named after Harvard students. They...