Word: riche
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Dates: during 1970-1979
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BACK in the mid-sixties pop art made its debut on the American scene; all the most ludicrous examples of mass urban culture shined as serious artworks. Andy Warhol got rich off his Campbell soup cans, George Segal for his over-all plaster casts of live human beings, Roy Lichtenstein for his comic strip tableaux...
...Robards). The villain, meanwhile, has problems of his own-an oil-company executive (George Grizzard) wants to plunder the cattle fields for crude. It is not difficult to guess what follows. Like every other so-called modern western, this one features a trusty old ranch hand (nicely played by Rich ard Farnsworth) who dies to symbolize the passing of the Old West. Like every old-fashioned western, Horseman slowly but surely sends its taciturn heroine into the macho hero's arms. Clark's climax, a plain old Shootout, is surprising only because it is capped by an optimistic...
...Grapes of Wrath, this beautiful woman manages to capture the essence of frontier toughness in the film's first half. When she finally melts for a man, Fonda's blushing radiance almost melts a movie that has long since congealed. - Frank Rich...
...Alfred Kazin's massive study of American fiction, On Native Grounds, has no room for the author. Edmund Wilson's definitive survey, Classics and Commercials, gives space to only one Shaw: George Bernard Today the Irwin Shaw Show means more than the Irwin Shaw books: Rich Man, Poor Man has eclipsed his previous works and further diminished his literary reputation. That is a mixed curse: the TV miniseries was comic-book melodrama; yet, without its success, this out-of-print collection of collections would probably not have been issued, and a short-story master might have been missed...
Argentina is a country rich in every thing but stability. The nation has been so cursed by bloody political convulsions that its own best people have pro nounced their homeland incurable. Julio Cortázar's novel, A Manual for Manuel, is one Argentine expatriate's eccentric response to violence in his country (and to some extent Uruguay and Brazil) in the early 1970s. Cortzar, who has lived in Paris for some decades, writes in a surreal fashion. The effects can be dazzling - as in All Fires the Fire and Other Stories of several years ago. Here...