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...move in China seems to be relentlessly toward a free market economy. Because China has a rich treasury, it can afford to support a rotation to privatization without the immediate concern that its government will be troubled by huge deficits...

Author: /time Magazine | Title: Trading Places: China and the U.S. | 3/5/2009 | See Source »

...insulated the country from the region's 19th century upheavals but also spawned a quasi-feudal class system that led to the inequalities that persist today. In 2000, fewer than 3% of Brazilians still owned more than two-thirds of the arable land, and the divide between the rich southeast and destitute northeast, where Lula was born, was as stark as ever...

Author: /time Magazine | Title: The One Country That Might Avoid Recession Is... | 3/5/2009 | See Source »

...chicken-and-egg debate, in which both sides are right. What matters is that social stimulus programs like Bolsa Família have been matched by fiscal measures like a reform of Brazil's engorged civil service pension system. "It's called doing things right," says Lula. "Allowing the rich to earn money with their investments and the poor to participate in economic growth...

Author: /time Magazine | Title: The One Country That Might Avoid Recession Is... | 3/5/2009 | See Source »

Before it became a vehicle for instigating turf wars and peddling Chicken McNuggets, hip-hop existed as a rich fusion of four elements—DJing, breakdancing, rapping, and graffiting. These elements collectively comprised an alternative form of entertainment and self-expression for inner-city youth, while creating a burgeoning impetus for social change. At the center of this cultural maelstrom was Grandmaster Flash, né Joseph Saddler, who, along with fellow DJs Kool Herc and Afrika Bambaata, formed a veritable holy trinity of hip-hop. In the 30 years since Saddler’s heydey, however, the genre?...

Author: By Roxanne J. Fequiere, CONTRIBUTING WRITER | Title: Grandmaster Flash | 3/5/2009 | See Source »

...Indian dance, are you free to invent your own choreography or do you follow an established pattern? What traditions are you drawing on in your dances? Are there any particular stories or histories that you are trying to tell? RST: The aim of the performances is to showcase the rich, diverse and evolving culture of the subcontinent. Every year, we have a classical dance, Bhangra, Hindi film, and Raas piece. These four dances reflect the constant variables in the culture. Classical Indian dance is one of the oldest forms of dance that has remained relatively true to its beginnings. Bhangra...

Author: By Catherine A Morris, CONTRIBUTING WRITER | Title: SPOTLIGHT: Ria S. Tobaccowala '10 | 3/5/2009 | See Source »

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