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...violin, Elling mimicking the sound of a trumpet. This was obvious on “When I Grow Too Old To Dream,” a 1935 tune which Elling quickly belted out, as if to get the words over with, then carefully leaned into notes, producing a searing, rich sound like an alto saxophone. Carter, on the other hand, rollicked over her melody with a slight glissando. At the same time, her raw, grainy sound evoked the subtle sadness and melodic cry of the human voice, which provided a nice counterpoint to Elling’s precise pitch placement...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Monterey Jazz Festival On Tour Hits All the Right Notes | 2/17/2010 | See Source »

Despite this, however, the production is the album’s most interesting element, creating rich arrangements that almost prevent the songs from becoming overly repetitive. The title track is the most impressive production feat: instruments cut in and out with a staccato aggression and Adu’s overdubbed voice hits multiple registers, weaving a tapestry of interlocking vocal snippets that drive the song’s dynamics from the arid determination of the opening to the rising chorus of wandering lovers. Distorted guitars and synthesizers howl like frigid winds through the track, slicing Adu’s distant...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: Sade | 2/17/2010 | See Source »

...India's Andaman Islands and gaze up at the sky. According to researchers who looked on, birds perched above would descend to the ground and inspect her; in turn Boa Sr spoke to them in her native tongue, calling them her ancestors and her friends. Her speech was rich with words of the natural world, words of the forest and the sea that some linguists suspect date back tens of thousands of years to the first migrations of man. Boa Sr was the last person alive to know them. In early February, she passed away, leaving behind no surviving siblings...

Author: /time Magazine | Title: Off the Coast of India, Another Language Dies | 2/17/2010 | See Source »

...read Slow Motion, her memoir recounting a misspent youth as the cokehead mistress of a rich creep and the car accident that nearly robbed her of both parents, you know Shapiro has a heightened sense of drama. She is wiser now but still can't stop obsessing over what could have been, whether it be a medical crisis her son survived as an infant or a terrorist attack. (She put her Brooklyn brownstone on the market a few days after Sept...

Author: /time Magazine | Title: Serenity Now | 2/15/2010 | See Source »

What I learned from not listening to Superficial is that the nature of celebrity hasn't changed; celebrity is just more than ever its own industry. We've found a group of people who are hot, rich and narcissistic to entertain us with their lives and another group to entertain us with their work. Back when promotional outlets were limited to billboards and Johnny Carson, being a celebrity could move product. But now that there's an infinite number of ways for everybody to get your attention, celebrity cannot achieve much more than product awareness...

Author: /time Magazine | Title: Heidi Montag, Spencer Pratt and the Limits of Celebrity | 2/15/2010 | See Source »

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