Word: richer
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Dates: during 1960-1969
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...very great." The aging sculptor returned her admiration with a passion, sketched Isadora and her pupils countless times, once sighed: "If only I could have had models like this when I was younger." Isadora responded in kind: "What a pity! Surely Art and all life would have been richer thereby...
...times the yearly salary of Nasser. She lives in a villa on Cairo's Zamalik Island with her doctor husband, a prosperous venereal disease specialist. There are no signs that the "Star of the East" is fading. The Arabs think that with age her voice has become mellower, richer, more touching. As her followers in Egypt like to say: In the Middle East only two things never change. The other one is the Pyramids...
...always imitate people richer than you," says Paris Interior Decorator Slavik, who designed "Les Drugstores" in Paris. Slavik makes the point, though, that the imitator usually puts his own imprint on what he imitates; he did not design his stores to resemble American drugstores, but "we knew the name would attract, and we were right." Though American-made goods, from cake mixes to Mr. Clean, are now taken for granted in many parts of the world, many of the typically "American" wares are just as derivative as Les Drugstores. They are frequently not made either...
...nucleus for a strong political organization. In those early decided of the century, Harvard had only scattered holdings in the thick think of real estate between chutes Ave. and Memorial Drive. There was some mingling of the two cultures, the ethic lower-class of Kerry's Corner and the richer students of the University. But Kerry's Corner was a product of an earlier and it disappeared, taking with much of the flavor of turn-of-the-century politics. Harvard slowly expended its territory, creating the houses on the strip between the Charles and the Yard. Kerry's Corner contracted...
...George and the Dragon, bought with funds from Ailsa Mellon Bruce, is even rarer and richer, considering its size. So small is the postcard-shaped (5⅜ in. by 4⅛ in.) oil that the gallery has built a magnifying glass in the showcase; so costly is it that the work was auctioned last March for $26,552 per sq. in. At the sale, it was called a Hubert van Eyck, but the National's curators now attribute it to Rogier van der Weyden. They suspect that St. George is one part of a diptych whose matching half, which...