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Photography: Julia Richer (Associate Editor); Eleanor Taylor, Karen Zakrison (Assistant Editors...

Author: /time Magazine | Title: Time Magazine Masthead | 4/12/1993 | See Source »

...with the making of Bronco Billy, Eastwood began to reach for a richer cinematic legacy. In this Capraesque comedy about a New Jersey shoe salesman turned Wild West show impresario, no guns are fired in anger. Instead Eastwood began to explore the limits of his often damaged characters in a quieter, more reflective way. Nor were villains dispatched bloodily three years later in Honkytonk Man, a melancholy movie about a drunken musician in which Eastwood starred with his son Kyle. "I'd hate to look back on my portfolio someday and think, 'Well, I did 100 Magnum films...

Author: /time Magazine | Title: Go Ahead, Make My Career: CLINT EASTWOOD | 4/5/1993 | See Source »

Photography: Julia Richer (Associate Editor); Eleanor Taylor, Karen Zakrison (Assistant Editors...

Author: /time Magazine | Title: Time Magazine Masthead | 3/22/1993 | See Source »

Photography: Julia Richer (Associate Editor); Eleanor Taylor, Karen Zakrison (Assistant Editors...

Author: /time Magazine | Title: Time Magazine Masthead | 3/8/1993 | See Source »

Instantly, the residents of Central Square were accused of being "NIMBY"--that is, of crying "Not in my backyard." Many citzens in richer neighborhoods criticized the Central Square residents as alcoholic-hating villians--an absurb portrayal of a neighborhood which already hosts ten times as many social programs as any other part of the city. Central Square residents simply didn't want a wet shelter built next door to their homes. They suggested that MIT could find a better solution. MIT said nothing. Instead, cloaking its selfishness in the rhetoric of good will, the university decided to let Cambridge residents...

Author: NO WRITER ATTRIBUTED | Title: A Homeless Shelter | 2/24/1993 | See Source »

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