Word: riches
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Dates: during 1950-1959
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...closed the final chapter-just 24 years ago this month-of one of the most tempestuous custody battles ever fought. The baby was eleven-year-old Gloria Vanderbilt, solemn-faced, button-cute heiress to a $4,000,000 trust fund, headlined in that Depression year as the "Poor Little Rich Girl." Mother was Gloria Morgan Vanderbilt, one of the most publicized Continental gadabouts of the day, who lost the fight for her daughter's custody-except for weekends (with Christmas and July tossed in)-to her sister-in-law, wealthy Art Patroness Mrs. Harry Payne Whitney...
...Swiss origin, Columbus came to his specialty by a combination of inheritance and intellectual curiosity. The family vocation was banking, but its avocation was sailing. His great-uncle, C. Oliver Iselin, was four times a defender of the America's Cup. ("He could afford it -he married two rich women," says Columbus.) His father, Lewis Iselin, sailed less gaudily but no less enthusiastically, racing Star boats on Long Island Sound...
Oceanographers are helping the hunters by plotting the trails fish follow, which are mostly determined by shifting ocean currents and the consequent shift in water temperatures. But they are also thinking about the possibility of fertilizing the ocean. Some parts of it are naturally rich and boiling with life. The water of breaking waves in such areas is green and turbid because it is full of microscopic plants and animals grazing on them. But large parts of the ocean are deserts with hardly any life. Their breaking waves are sapphire blue, the color of clear and lifeless water. Fish migrate...
...period of Shakespeare's creative productivity covered the rich years from about 1590 to 1613. During this span the Renaissance style was on the wane, though still much in evidence; the Mannerist style was in full swing; and the Baroque style was in its vigorous infancy. Thus it is that Shakespeare's output reflects all three styles: in the tragedies, for example, Othello is Baroque, Hamlet and King Lear are Mannerist, and Romeo and Juliet is Renaissance...
...failure; and much of the blame must fall on director Landau. Not for nothing does Mercutio share five letters with Mercury; but there is nothing mercurial about Smithers' performance. Mercutio is an airy, sparkling, zestful, witty chap; Smithers is none of these. Too bad, for the role is so rich that it bids fair to top that of Romeo himself--wherefore Shakespeare had to kill him off on two counts...