Word: riches
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...then... well, not much. Moss vanishes from view, instead of slaking our desire to see him get away free and rich or go down with guns blazing. Chigurh has a unlikely, unsatisfying run-in with coincidence. Most of the screen time goes to Bell: his musings, visits to old friends and recollections of dreams. Jones is always worth watching, but why here? The Coens have lit a fuse they don't let go off. It's as if they junked the natural last reel of the film and substituted it with outtakes for the DVD edition. All this is faithful...
Heirs to a rich and varied cuisine, Turks, like Italians, are notoriously conservative about their food: when it comes to kebabs, it's Mama's way or the highway. But as non-native ingredients become more readily available and foreign cuisines gain influence, a coterie of Istanbul restaurants are reinventing Turkish food...
...Medvedev supervises Gazprom's exports, brushing off allegations of Gazprom being Russia's "pipeline troops," poised to accomplish with energy what the U.S.S.R. used to do with tanks. "There is no politics in our relations with other countries. Just business," he says. And business is booming. Russia is energy rich. Its oil and gas reserves account for more than 20% of its $1 trillion economy...
...Thousand Splendid Suns probably won't be as commercially successful as Hosseini's first novel, but it is, to put it baldly, a better book. Where The Kite Runner told an appealing but somewhat programmatic tale of redemption, Suns is a dense, rich, pressure-packed guide to enduring the unendurable. (Though there's still plenty of action: "I have this almost pathological fear of boring the reader," Hosseini admits.) Where the characters in The Kite Runner ran heavily to unredeemable sinners and spotless saints, in Suns the characters are more complex and paradoxical--more human...
...trick for Oakley will be to win over African Americans whose churches may preach against gay equality. Oakley will lose if black voters stay home. But even if he does lose, the culture war in Dallas is, arguably, over. Cosmopolites of various stripes--new-rich arrivistes, coastal transplants, the arts community--control not only the city but much of the suburban county. To get a feel of old Dallas, the one I remember from the '80s, you now have to leave Dallas entirely--for the exurbs...