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...more thoughtful effort, “True Blood,” which possesses some capacity to reasonably incorporate the character’s symbolic relevance to modern issues.In the competition for ultimate domination of the American pop culture sphere, only obnoxious shows about equally obnoxious rich brats from Manhattan can even come close to challenging the vampires. The question, then, is, “Why now?” How can vampires—certainly not a new creation—suddenly be so hot that they’re not just hotter than the girl next door, they...

Author: By Andrew F. Nunnelly, CRIMSON STAFF WRITER | Title: The New Hot Topic: Vamps Don’t Really Suck, Per Se | 9/25/2009 | See Source »

...elbow and the window / and watch the wheels go.” Then it builds, swept away by M. Ward’s chugging, steam-engine strum and Oberst’s tense splashes of lap steel that lead it into a blazing release. When Jim James’ rich harmonies fan across the track, it’s likes seeing “The Wizard of Oz” go from black-and-white to flaming Technicolor for the first time.At the end of “Losin’ Yo’ Head,” there?...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Monsters of Folk | 9/25/2009 | See Source »

...fundamentally fragmented as the play’s structure may be, however, Kramer and his talented cast seem more than capable of pulling it off. Regardless of how it will be ultimately welded together, it is undeniable that they’re working with some rich ore. Kramer, perhaps, sums it up best: “Sondheim is fantastic. This is a given...

Author: By Molly O. Fitzpatrick, CONTRIBUTING WRITER | Title: Musical Puts Hit Songs Together | 9/25/2009 | See Source »

...much stronger than Pierre’s scenes, particularly the story of Benoît (Kingsley Kum Abang), a hotel waiter who immigrates to Paris from Cameroon. The images of his dusty village are colorful but forlorn, and his conversations with a supermodel staying at his hotel are rich with political subtext absent from Pierre’s self-indulgent monologues. It’s a shame that Klapisch didn’t set the entire film in Cameroon; perhaps it would have had the substance and originality that “Paris” strives for but doesn?...

Author: By Abigail B. Lind, CONTRIBUTING WRITER | Title: Paris | 9/25/2009 | See Source »

...released under the name Volcano Choir. Though the experimental tracks lack direction at times, the music on “Unmap” blends the sounds of the two bands seamlessly, combining the heartbreaking backwoods emotion of Bon Iver with the textural, ephemeral hooks of CoCoB into an album rich with surprise and intimacy. A clear example of this inherent synergy is the song “Still,” which is actually the Bon Iver song “Woods”—off January’s “Blood Bank” EP?...

Author: By Matt E. Sachs, CRIMSON STAFF WRITER | Title: Volcano Choir | 9/25/2009 | See Source »

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