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...virtually forgotten artist, Francis Gruber, whose ravaged landscapes and etiolated figures à la Jacques Callot seem to have given the much slicker Buffet most of his ideas. In sculpture there were the post-Hiroshima-style images, all spikes and burnt dribbles of welded iron, by people like Germaine Richier...

Author: /time Magazine | Title: Art: Paris 1937-1957: An Elegy | 10/12/1981 | See Source »

This may not have been the archaeological coup of the age, but in some mysterious fashion, it suddenly seized the imagination of a group of European sculptors after World War II. All at once, Bond Street and Rue de Seine overflowed with tasteful mock fossils by Marino Marini, Germaine Richier and César. The style spread to America. The parallels were too many and too pat to miss: Pompeianism suited many a Fifties liberal, with his passive sense of impending catastrophe and his culturally induced impotence in the face of Joe McCarthy and Curtis LeMay. (Q. What...

Author: /time Magazine | Title: Art: Ghost Maker | 5/11/1970 | See Source »

...Time & Life building on Avenue Matignon in Paris took the lives of Public Relations Director Jean de Wissocq and Personnel Officer Françoise Hirou. Last week, in a moving ceremony presided over by Ambassador Charles Bohlen, 31 French businessmen presented the Paris staff with a Germaine Richier sculpture, symbolizing both their sympathy and their friendship...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 9, 1968 | 2/9/1968 | See Source »

Nineteenth-century France produced few greater sculptors than Antoine Bourdelle, and fewer still who had greater effect on sculptors of the twentieth century. Rodin, his longtime friend and teacher, called him a "pathfinder of the future." Bourdelle spread his influence by teaching and writing, and both Giacometti and Germaine Richier served apprenticeships in his studio...

Author: By Daniel J. Chason, | Title: Sculpture by Antoine Bourdelle | 10/8/1963 | See Source »

...techniques employed at Susse are "lost wax" and "sand casting." The lost-wax method of classical and Renaissance sculptors was revived by Susse especially to cope with the intricate broken surfaces of such moderns as Richier, Reg Butler and Giacometti. A plastic mold of the model is constructed and provided with a system of vents. A wax skin the thickness of the desired bronze is then spread over the inside of the mold, and the core is filled up with plaster. Then the wax is melted away through the vents, and molten bronze poured in. When the bronze cools...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

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