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...runs back 200 years. André Susse, 49, the seventh in the Susse line of foun-drymen, is a meticulous craftsman and connoisseur. Over the years, Susse Brothers has played host and helper to such far-flung makers of sculpture history as Constantin Brancusi, Jean Arp, Henry Moore, Germaine Richier, and the painter-sculptors Picasso, Giacometti, Braque, Dali and Chagall...

Author: /time Magazine | Title: Art: Famed Foundry | 12/28/1959 | See Source »

...female form crouched ready to spring; a Shepherd with half-decayed body tottering on three spindle legs looked more like an abandoned sheep carcass than a human figure. The reason for this nightmare in Paris last week: 82 pieces finished in the last twelve years by French Sculptress Germaine Richier...

Author: /time Magazine | Title: Art: POEMS OF DECAY | 11/26/1956 | See Source »

Rated in the forefront of French art ever since she won first prize in sculpture at São Paulo's 1951 Bienal, Sculptress Richier, 52, does not see beauty as the world usually views it. Says she: "I am more attracted by the trunk of a dead tree than by an apple tree in full bloom." Along with such dissimilar sculptors as Swiss-born Alberto Giacometti and Brit ain's Henry Moore, Germaine Richier takes her stand as a Pygmalion-in-reverse. Rather than working inert sculptor's materials to the polished, lifelike perfection of idealized...

Author: /time Magazine | Title: Art: POEMS OF DECAY | 11/26/1956 | See Source »

...Richier rejects the suggestion her work is morbid. Says she: "I merely try to see below the surface of things." As an example she points to Tauromachy (see opposite), in which the sculptress has interposed a preview of destiny between the viewer and the bullfighter enjoying his moment of triumph. Explains Richier: "He killed the bull, but he knows he too is going to die some day." By taking her inspiration from the forms the clay suggests as she works, Germaine Richier has opened the door to subconscious promptings which French critics find "disturbing, irritating, but teeming with life...

Author: /time Magazine | Title: Art: POEMS OF DECAY | 11/26/1956 | See Source »

...townspeople of Assy sided with the bishop. They had come to accept their church's Rouault windows, Lurçat tapestry, Léger mosaic and Matisse sketch, but never the Richier crucifix. "It was evil," a woodcutter ventured. A young girl agreed: "The figure was thin and frightening. The colors of the other art in the church make me feel alive and strong, but this thing only scared me like a dark devil...

Author: /time Magazine | Title: Art: Removal at Assy | 4/23/1951 | See Source »

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