Word: richness
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Dates: during 1960-1969
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...about "the ghost or two"--the handful of fragile souls that Jarrell forsesaw clustering about his grave? Instead we have nothing less than the United States Cultural All-Star Team. Robert Lowell, John Berryman, John Crowe Ransom, Marianne Moore, James Dickey, Allen Tate, Robert Fitzgerald, Adrienne Rich, Elizabeth Bishop, Leslie A. Fiedler, Hannah Arendt, all take the podium...
...lineup also remains unsettled. Senior John Axten will start at goalie, but both he and sophomore Rich Locksley needed the work they couldn't get this week. Dave Wright and Bob Grey are set at fulback and face their biggest challenges to date against DeJong and Detora...
...recovery showed that Suliotis has the temperament of a true diva. She has the vocal equipment too-power, range, a rich, natural voice and a keen instinct for drama-but at this stage of her career it is marred by an occasional lack of control, exaggerated effects and some forcing at both extremes of her range. Also, she may be gambling with her voice's future by singing taxing roles at such an early age. Still, such all-or-nothing assaults on the heights are in the spirit of Callas' own career, and the older soprano may have...
Aided by the fluent camerawork of Robert Frank and Etienne Becker, Rooks served as his own writer, director and star, turning himself inside out on the screen. He traces his course from mixed-up rich man's son along a dizzying downward spiral, through some hard-edged therapy at a Paris sanatorium, and toward the bright end of self-realization. Rooks sees most of his life from a hospital bed in a series of intricate overlapping flashbacks that add up to a collage of visions, ranging from drug-inspired distortion to moments of near lucidity. A razor-sharp editing...
Lovers & Cars. The 38 stories read like the notebook of a benign confessor. Most of them are about women-beautiful and rich, wise and foolish, vital and declining, ensnaring and ensnared in a love trap. Or if not in love, then remembering what it was like and regretting the flight of passion. Maurois' women give to friendship only what they steal from love; they give to love only what their husbands have forgotten how to take. His couples are always married but rarely to one another. They change lovers the way Americans trade cars. The transfers usually take place...