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...challenging traditional painting and sculpture in the museums; the Philadelphia Museum of Art has currently installed "American Sculpture of the Sixties," with George Rickey's 37-ft.-high red blades soaring and Alexander Calder's white-petaled Ghost wafting under the 85-ft.-high ceiling of the Great Stair Hall before Saint-Gauden's bronze Diana (see color opposite). The new art is also demanding a permanent place there. This month, Minneapolis' Walker Art Center has installed its first permanent luminal-art gallery for light sculptures. And, because of its size, sculpture is now shouldering...

Author: /time Magazine | Title: Sculpture: Master of the Monumentalists | 10/13/1967 | See Source »

...physically re-created the frenetic pace and brilliance of modern urban life. To Chryssa, all of Times Square's jangle of signs is one total work of art, and she has set out with neon tube and stainless steel to rival its garish, flickering magic. Kinetic Sculptor George Rickey equates movement with life itself; his own tall blades and semaphores sway in the wind above treetop level and are capable of almost infinite extension...

Author: /time Magazine | Title: Sculpture: Master of the Monumentalists | 10/13/1967 | See Source »

Modern sculpture itself made it in evitable. Alexander Calder's vivid mo biles were meant to jiggle and gyrate under the leaves, George Rickey's feathery kinetics to stir in the breeze. To be sure, bronze and marble for centuries have gained in luster and patina from exposure to the weather, but a whole new range of materials, notably stain less steel and plastics, practically demand the reflective brilliance of sun shine. "Aluminum shines wonderfully against the greens of summer and the greys of winter," observes New York Collector Robert Scull...

Author: /time Magazine | Title: Sculpture: Fresh-Air Fun | 9/8/1967 | See Source »

...mammoth exhibition: "American Sculpture of the Sixties." Whatever space was left over was taken up by Angelenos. On the first three days, more than 10,000 adults (not counting their children) milled up the steps from Wilshire Boulevard, past the bouncing Calder Hello Girls and the spikelike Rickey Two Red Lines, both set in the museum's pool, and on into the bright assemblage of glinting, sometimes kinetic and nearly always gigantic sculpture...

Author: /time Magazine | Title: Sculpture: White Wings in the Sunlight | 5/12/1967 | See Source »

...sculpture on the capital's Mall, which will eventually be blooming with them: Hostess Gwen Cafritz is donating an Alexander Calder stabile-mobile that will be installed in midsummer, while the Hirschhorn Collection is planning to install a whole garden full of modern works from Rodin to George Rickey...

Author: /time Magazine | Title: Sculpture: Infinity in Eight Minutes | 4/7/1967 | See Source »

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