Word: ricochetting
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...luck had something to do with the second Brandeis tally. McCully had the good fortune to have a Crimson defensive clearance bounce off the back of his head, with the ricochet landing at the feet of Judge winger Chris Ellsasses. Ellsasses hit a low right-footer past charging freshman Matt Ginzberg, who replaced Coogan at the half. The junior starter suffered a broken nose against Columbia and he complained the padding he wore obstructed his vision...
...year-old M.D. who had edited his first feature on a kitchen table. Max surprised with its cinematic canniness, but Warrior astounds as a sequel superior in every respect. Miller suggests violence; he does not exploit it. He throws the viewer off-balance by mixing the ricochet rhythms of his chase scenes with tableaux of Walpurgisnacht grandeur: Wez's rain dance, a fiery crucifixion, a vision of Max flying supine over the outback. Miller keeps the eye alert, the mind agitated, the Saturday-matinee spirit alive...
Remarks about the British malaise ricochet through the play, some elusive, some symbolic. At one point Roote is told that the intercom sounds "a bit clogged up," and he barks: "What's the matter with this place? Everything's clogged up, bunged up, stuffed up, buggered up. The whole thing's running downhill." Adrian Hall's staging runs in another direction: straight ahead, and smooth as a Rolls-Royce. Though the entire cast is exemplary, George Martin's Roote is exceptional. With his foggy look, sagging belly and mouth-watering delivery, he is the very...
Wanda Wilkomirska gives a moving performance, heavy on vibrato (shaking a note to seduce one's boyfriend) and tone. She executes displaced accents, syncopation (extending a beat over the natural accent) and ricochet bowings with excellent technique...
Mintz's musicianship becomes his salvation too, especially in the well-known Liesbesleid (Love's Sorrow), Liebesfreud (Love's Joy) and Caprice viennois op. 2. Mintz plays ricochet bowings and fancy-fingered high notes in the umpteenth position with more clarity and precision than the old master himself (Kreisler had to be a genius to be able to make millions of his concerts and records and manage to get away with an hour's practicing once a month). Shlomo's earthy, robust tone enlivens every phrase in these three pieces...