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...powerless ornament of the earth, Holland, Characteristically, the eruption of recent apologies have stressed him as a Bold Innovator or as a distraught mid-century man who is, like all of us course, pre-phoenix in spirit. Such descriptions might deeply engage the imagination of the creators on Easy Rider but are a ludicrous profanation of an extremely complex musician. No matter how hard harried annotators try, their exegeses are usually self-congratulation for the act of explanation. The result has been a sanctimonious exhumation which consists of a disfiguring serious of antinomies, most commonly Mahler as neurasthenic Demon...

Author: By Chris Rochester, | Title: Gustav Mahler | 8/19/1969 | See Source »

...public believed implicity in the abilities of the horse, rider, and trainer. Arts And Letterswas the favorite at odds of one to five. Factors contributing to these low odds were: 1. A ten-length victory in his last race, the Jim Dandy Stakes. 2. The presence in the saddle of the great race rider Braulio Baeza. 3. The solid reputation of trainer Eliot Burch. 4. The confidence of many New York bettors who love a favorite and positively adore a sure thing...

Author: By The Scientist, | Title: Horse of the Year | 8/19/1969 | See Source »

...EASY RIDER. Peter Fonda and Dennis Hopper ride their motorcycles cross-country looking for the true meaning of America. The film (directed by Hopper, produced by Fonda and co-authored by Terry Southern) is by turns sensitive and embarrassing-at its best when it shows with compassion the places and faces of mid-America...

Author: /time Magazine | Title: Television: Aug. 15, 1969 | 8/15/1969 | See Source »

...Whitehead did with the Pink Floyd in Tonight Let's All Make Love in London or as Robert Nelson did in The Grateful Dead; rather he sticks it in and lets it lay there, guaranteeing large audiences. In my view the film is poorer for it. Nothing in Easy Rider's endless shots of motorcycles (stolen, as was some of Roger Corman's work in Wild Angels--in which Fonda also starred--from Kenneth Anger's incantatory Scorpio Rising) matches the groaning ferocity of Steppenwolf's lyrics ("Get the motor running/Shoot out on the highway/Looking for adventure/And whatever comes...

Author: By Joel Haycock, | Title: Easy Rider | 8/12/1969 | See Source »

Hopper's frankly commercial use of rock gives us one more insight into his real sensibility. Easy Rider may be a hippy vision, but it's a bourgeois hippy vision, concocted with both eyes on the market place. Just listen to how Hopper treated sex, and why: "I knew that Peter and I the girls we meet would never be seen totally nude in the nude swimming scene, because I wanted to show the over-forty crowd that it is possible to play like innocent children in the nude without getting into sex." In the echo chamber of our Hollywood...

Author: By Joel Haycock, | Title: Easy Rider | 8/12/1969 | See Source »

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