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King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Dec. 18, 1950 | 12/18/1950 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Dec. 11, 1950 | 12/11/1950 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Dec. 4, 1950 | 12/4/1950 | See Source »

...While H. Rider Haggard's story of a woman looking for her husband and his lost diamond mine is not outstanding, the African landscape and its macabre inhabitants have turned a pedestrian adventure plot into a fast moving film. Fortunately, the producers seem to be aware of the plot's shortcomings, and it is safe to say that there are more animals present than words of dialogue...

Author: By Donald Carswell, | Title: THE MOVIEGOER | 11/28/1950 | See Source »

King Solomon's Mines. Darkest Africa in brightest Technicolor reduces the hokum of H. Rider Haggard's plot to a minor hardship on moviegoers; with Deborah Kerr and Stewart Granger (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Nov. 27, 1950 | 11/27/1950 | See Source »

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