Word: rides
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Dates: during 1990-1999
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...back to her parents for visits so he could play the field for a while. Once during a lunch with a reporter, Simpson asked the restaurant hostess to put money in the parking meter next to his Mercedes convertible. She complimented him on the car. He offered her a ride, and off they went to a condo. Recounting his conquest later, he said with a laugh that he got her back to work in time for cocktail hour...
...police by now were receiving anonymous tips on where O.J. had been spotted. At 7:15 p.m., L.A.P.D. Detective Tom Lange, who had been one of the lead investigators, reached Simpson on a cellular phone in Cowlings' car. Lange functioned as a crisis negotiator through the wild ride down the freeways. Simpson's friends went on the radio to plead with him to give himself up. "O.J., Al, if you're listening to me, if you can hear me, guys, please, please stop," said ex-N.F.L. player and sportscaster Jim Hill. "Just turn on your emergency blinkers and just...
...pieces -- and in his stage plays (Sufficient Carbohydrate), screenplays (Track 29) and novels (Ticket to Ride) -- Potter did see things under the aspect of eternity. Novelist Julian Barnes aptly described him as "a Christian socialist with a running edge of apocalyptic disgust." Christian, yes, in residue. Though Potter gave ecclesiastics the willies with his God play (Son of Man) and his Devil play (Brimstone and Treacle), he could still recite, as meaningfully as if it were a pop standard, the words to an old hymn: "Will there be any stars, any stars in my crown?" Socialist, yes, decrying British mercantilism...
...into the growing pains of a creature that felt as isolated from the shimmering haut monde as any Afghan peasant or Harlem street kid. Beauty and the Beast took a stroll in the woods with a fellow who needed lessons in the civilizing power of love. The Aladdin carpet ride revealed a whole grownup world of pleasures and perils to a young thief who started out in search of only a quick spin with a pretty princess...
Speed has terrified (and nicely particularized) passengers, a resourceful hero (Keanu Reeves), a gutsy heroine (the always appealing Sandra Bullock) and & a terrific villain (Dennis Hopper, doing what he does best -- rationalism gone gaga). The can't-slow-down bus ride is bookended with a pair of thrill sequences, either one of which would provide enough of a plot for most movies. Speed begins with a crowded elevator that is sometimes in free fall and is rigged to explode at a certain floor, and it ends with a driverless subway running out of control, the heroine helpless inside...