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...performance of Philip Harvey as Sir Colenso Ridgeon, the physician, is competent on the whole. He brings to the role the proper amount of dignity, which, however, tends at times to lapse into stiffness. Edith Iselin, who plays the artist's wife, suffers from something of the same trouble. Miss Iselin possesses a quite imposing stage presence, but in this production the emotions which she should be portraying seem swathed in a coating of ice. Her delivery is, if anything, too careful, and she shows too little willingness to vary her rather stately tempo of speaking...

Author: By Thomas K. Scwabacher, | Title: The Doctor's Dilemma | 3/22/1957 | See Source »

Into the office of the London tuberculosis specialist Sir Colenso Ridgeon comes a beautiful woman (Katharine Cornell). She wants the doctor to cure her husband, a brilliant painter and incorrigible amoralist-a liar, cadger and thief in practical matters. Through some of the clankingest plot mechanics in history, Sir Colenso is forced to choose between saving the life of this caddish genius and that of a poor, upright little Government doctor. The issue is complicated by Sir Colenso's desire for the painter's wife. Finally he decides to abandon the painter-only to be spurned...

Author: /time Magazine | Title: The Theatre: Revival in Manhattan | 3/24/1941 | See Source »

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