Word: riedenschneiderã
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...films took their energy more from the ideals of their characters than the Coens’ love of subtext. It’s telling that The Man Who Wasn’t There’s best scene, in which Riedenschneider constructs an initial defense, is chiefly powered by Riedenschneider??€™s instincts, and not solely by the Coens’ desire to prove a certain point. Most of the rest of the film just shuffles along, dropping in on events as they happen and skipping over what’s between them. Doubtless, in the interim...
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