Word: riefenstahl
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...Leni Riefenstahl: A Memoir by Leni Riefenstahl. At 91, the former actress and filmmaker has a lot to remember. Her Late Romantic style won raves from Hitler and invitations to his mountain lair. She glorified the New Order with striking films about the 1934 Nazi Party Congress and the 1936 Olympic Games. Whether one regards her as indomitable or abominable, Riefenstahl has written a vivid memoir of intimacies in an amoral time...
...GREAT FILM." Less impressed was Alexander Shectman of Jerusalem, who said, "My Russian patriotism was offended by the absence of the films of Sergei Eisenstein, and I was astonished to see that those of D.W. Griffith shared the same fate. And yet you included Leni Riefenstahl's documentary of the 1936 Olympics!" You can check out the list, send us your thoughts and vote for your own favorite films at time.com/100movies....
...photography," and Baier cites Camerawork for its "fully fledged innovative shows." The gallery is named after the legendary magazine published from 1903 to 1917 by photo pioneer Alfred Stieglitz - the period when photography was established as an art form. Camerawork displays photographs by greats like Man Ray and Leni Riefenstahl, and features works by promising photographers such as Robert Polidori and Mona Kuhn. tel: [49-30] 31 00 773; www.camerawork.de GALERIE MICHAEL SCHULTZ Located in residential Charlottenburg, the gallery specializes in painting and sculpture by young German and international artists. The venue has "one of the best programs in town...
...photography," and Baier cites Camerawork for its "fully fledged innovative shows." The gallery is named after the legendary magazine published from 1903 to 1917 by photo pioneer Alfred Stieglitz-the period when photography was established as an art form. Camerawork displays photographs by greats like Man Ray and Leni Riefenstahl, and features works by promising photographers such as Robert Polidori and Mona Kuhn. tel: (49-30) 31 00 773; www.camerawork.de...
...victory of ?Fahrenheit? told moviegoers that a non-fiction film could make them laugh and cry. It also energized the documentary community, which is reflexively and almost unanimously left-wing. (To my knowledge, there is simply no right-wing political documentary, unless you count ?Triumph of the Will,? Leni Riefenstahl?s hypnotic record of the Sixth Nazi Congress.) Moore had given the film industry?s poor, scrappy cousins a shot at the movie mainstream...