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Word: riefenstahl (lookup in dictionary) (lookup stats)
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MILESTONES: Farewells to Edward Teller, Leni Riefenstahl, John Ritter and others...

Author: /time Magazine | Title: Table of Contents: Sep. 22, 2003 | 9/22/2003 | See Source »

...senior citizen leads a life as eventful as those of the women on The Golden Girls, it's Leni Riefenstahl. The director of aesthetically innovative Nazi propaganda films turned 100 last week, but she's still zippy enough to stir up controversy, most recently over who should play her in a movie about her life. A prominent name mentioned at one point was Jodie Foster, who was developing a now stalled project. Working on a competing film was director Paul Verhoeven, who reports that he communicated with Riefenstahl by mail and through the producer on the project. "The producer told...

Author: /time Magazine | Title: People: Sep. 2, 2002 | 9/2/2002 | See Source »

...UNDER INVESTIGATION. LENI RIEFENSTAHL, 100, Adolf Hitler's favorite filmmaker and cinematic chronicler of Nazi Germany who later turned to underwater photography; for Holocaust denial; in Frankfurt. Riefenstahl, who celebrated her centennial last week, is being sued by a Gypsy organization for dismissing allegations that Gypsy slave laborers used as extras in her 1943 film Tiefland were later returned to concentration camps...

Author: /time Magazine | Title: Milestones | 8/26/2002 | See Source »

...Riefenstahl turns 100 this week, having survived career changes, war and its aftermath, decades of political criticism and ill health. Friends will fête her at a birthday bash in Munich. The rest of us get some party favors too, with the release of Impressions Under Water, her first film since 1954, and the publication of Africa (Taschen; 564 pages), a book of photos taken over the past four decades. Her new work looks at sea life and Sudanese tribesmen, not ruddy-cheeked Nazi youth or Olympic sprinters, but it's still of a piece with the old: stunning...

Author: /time Magazine | Title: In Her Own Image | 8/19/2002 | See Source »

...pursuit of all things beautiful began in dance. As a teen, Riefenstahl started taking lessons without the permission of her father, a Berlin plumber. In 1924, hobbled by a knee injury, she went to see Arnold Fanck's Mountain of Destiny, part of the Bergfilm (mountain film) genre that set its scenes improbably high in the mountains. Enthralled, she saw the movie repeatedly and eventually met Fanck. He cast Riefenstahl in his next film, The Holy Mountain, and for the next several years, she acted, did her own stunts (one critic dubbed her Ölige Ziege - Oily Goat...

Author: /time Magazine | Title: In Her Own Image | 8/19/2002 | See Source »

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