Word: riemer
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...Seth Riemer misinterprets his part as Giacomo, the family coward the only Cenci who would cringe at the thought of committing a murder. Riemer tries to convey this with an effect accent that seems anachronistic...
...cast appears uniformly sympathetic to the action, though a lack of attention to details detracts from several performances. (Slouched posture and excessive foot stamping do not contribute to the majesty of the two kings.) Jeremiah Riemer as the rogue Autolycus is a particularly entertaining miscreant and Robert Cohen is deft in the role of a faithful courtier. Other actors's readings are often engaging and effective--Charles Genrich's rustic Clearius and Eleni Constantine's dewy-eyed Perdita add sparkle to the humorous second portion of the play...
Kenneth Demsky creates a truly comic whimpering bishop through constant use of his protruding quivering tongue, while Seth Daniel Riemer twitches, screeches and squeals his way toward a successful portrayal of the greedy sacristan...
With the exception of the narrating, gymnastic clown (Sheira Freedman), who flits in and out of the action, the performances of the rest of the cast do not live up to the standards set by Noguera, Demsky and Riemer...
...women could see in him. Lorna Koski, as the woman scorned, strikes the most discordant note in the play. Unsuccessful at portraying Julia's passionate melodramatics, Koski appears to have lost not her decorum and good sense, but her wits. In contrast, the two fathers, played by Jeremiah Riemer and Peter Wirth, are delightfully comfortable in their roles, delivering their lines with spontaneous conviction. As the stupidly hapless doctor to whom Loenard conspires to marry off his adoring nuisance, Robert Stier is nearly perfect...