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Word: riff (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Luck Baby" displays the band's talent for using space effectively. The tune is a pleasant relief from the barrage of distorted sound launched by many other tracks. The verse is pared down to a clean and simple guitar riff, light drums and vocals. The entire song is a theme on this guitar part with the organ coming in at the chorus to fill out the sound...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Distortion + Adolescent Lyrics = Ups and Downs | 10/17/1997 | See Source »

...Lynnfield Pioneers sound unabashedly unrehearsed. The tunes lack structure and coordination: The band seems to be no more aware of when the song should end than the listener. Many start with a open chord guitar riff that continues throughout, while nonsense vocals rhyme over the top and the Moog organ and drums embellish the texture...

Author: By John T. Reuland, CONTRIBUTING WRITER | Title: Distortion + Adolescent Lyrics = Ups and Downs | 10/17/1997 | See Source »

...Deserves It: Anyone who wrote off Fargo as a mean-spirited riff on Midwestern accents missed the human heart of a totally original film whose every scene, shot, and performance struck the right, eccentric note

Author: By Nicholas K. Davis, | Title: AND THE Winner Is... | 3/20/1997 | See Source »

...flavors and textures. In the new album's opening song, "Tropical," Carla Gillis (lead guitarist and singer) declares, "I'm sick of your morals, I'm sick of them, My mother told me what to do today!" Yet behind this repetition, two guitarists piece together a surf-rock riff, while the bass (Amanda Braden) roots the song's fervent movement with hard-driving chords. In "The Phone, the Phone," sisters Lynette and Carla blend two different vocal styles and come up with a wonderfully complementary sound. One sister repeats the chorus as the other sarcastically murmurs, "I'm up here...

Author: By Luke Z. Fenchel, | Title: Plumtree Is Happy Music | 10/31/1996 | See Source »

...collection of essays by writers and poets, he contends that contemporary authors are better qualified than Bible experts to explicate what he sees primarily as a secular masterpiece. Indeed, both Phillip Lopate's disconcerting contribution about playing Abraham in an Abraham-Sarah-Pharaoh triangle and David Mamet's Freudian riff on the Flood make for enjoyable reading. But Rosenberg's thesis is sorely tested by The Beginning of Desire: Reflections on Genesis (Image), a wonderful book by Living Conversation participant and Orthodox Midrash expert Avivah Gottlieb Zornberg. Her chapter on the Flood beats Mamet's hands down...

Author: /time Magazine | Title: GENESIS RECONSIDERED | 10/28/1996 | See Source »

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