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Word: riffs (lookup in dictionary) (lookup stats)
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...distinct. It should be listened to in its entirety as it's pretty much non-stop mad beats from start to finish. The themes introduced at the end of the first track continue into the second as the familiar vocals blend with a prominently repeated bass riff. A few minutes later, the mix takes on a retro feel while incorporating samples from Kenny Dope, Badder Than Evil and Unique 3. This sound--which mixes several samples and songs together--is omnipresent in Brother's Gonna Work It Out and gives the record its live DJ performance feel. "It's brought...

Author: By Benjamin A. Teply, CONTRIBUTING WRITER | Title: Turning Beats To Bucks: 'Work' Well Worth the Labor | 10/9/1998 | See Source »

...albums like I Think We're All Bozos on This Bus? The group--Peter Bergman, Phil Proctor, David Ossman and Phil Austin--is back with a new CD, and it's both a nostalgia trip and a bracing return to the edge: a dense, doomy, free-association riff on the last broadcast day of the millennium, featuring commercials, traffic reports, Joe Camel's last press conference, the Ebola Virus Ball and a conglomerate called U.S. Plus ("We own the idea of the idea of America"). Listen three times for best results, and look out for the guys with the eyeball...

Author: /time Magazine | Title: Comedy: Give Me Immortality Or Give Me Death | 9/28/1998 | See Source »

...bass lines sounded familiar, but not until Amos began the piercing piano riff was it clear that the first song was "Precious Things," a gut-wrenching number from Little Earthquakes, her first album. While the opening notes brought tears to the eyes of many Tori devotees, the volume of the guitars and drums seriously muffled Amos' passion-filled voice. The speakers sounded filled to capacity, and unfortunately, with only a few exceptions, they remained maxed out for the remainder of the evening...

Author: By Sarah A. Rodriguez, CRIMSON STAFF WRITER | Title: Quantity Over Quality | 8/7/1998 | See Source »

What really supports this film is its strong cast. As usual, Pesci turns in a maniacally fine performance, adding a sentimental riff here and there. Russo, looking remarkably unpregnant for someone who gives birth at the end of the movie, is sweet. Jet Li is magnificently creepy as a strong-and-silent, impeccably elegant villain. Alone among the principal supporting actors, Chris Rock, normally so funny, fails to fit his role as Murtaugh's young cop son-in-law. His edgy, larger than life comic persona makes Rock look like he is intruding on someone else's shtick...

Author: By Elizabeth A. Murphy, CRIMSON STAFF WRITER | Title: Lighthearted Weapon | 7/24/1998 | See Source »

Moody's exceptional command of language is largely responsible for the success of these characters and of Purple America. He's got a knack for poeticizing the mundane with a well-placed, nicely phrased philosophical riff, like when Lou interrupts his constant agonizing over the power plant to observe "the sun balanced on the very spot where sea meets coast." The nuances of Hex's odd childhood, when pretentious Billie served him meals with "frozen foods accompanying the fine wines of Bordeaux," and when Hex wanted nothing more than to muse over "the math of [girls'] pulses," are immaculately rendered...

Author: By Elizabeth A. Murphy, CRIMSON STAFF WRITER | Title: Moody Novel Is No Pity Party | 5/15/1998 | See Source »

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