Word: riffs
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...short while, Bragg had a punk band of his own called Riff-Raff. But the most influential individual in his life probably has been Margaret Thatcher, whose divisive social policies and battles with coalminers have given him something to sing out against...
...first-person monologues revolving around barefoot girls, post-hippie gypsies and other street-smart naifs. One story is a kelped and matted address delivered by a castaway young woman to the baby inside her; another, the erotically charged rural reminiscence of an old lady; a third, the juiced-up riff of a 20-year-old rock 'n' roller, strutting his stuff with the swagger of the vulnerable...
...directions as the members' solo projects, most notably Colin Newman's recent records and Lewis and Gilbert's "He Said" releases. Guitars are buried low in the mix, if present at all, while sequencers and keyboards define the song structures. "The Point of Collapse" is built around a synthesizer riff of which Depeche Mode would be proud, while "Ahead" mines the dance-rock territory of New order. The menacing "Feed Me" follows the style of latter-day quasi-industrialists SWANS without achieving the genuine horror of the latter's aural experiments. All the above-mentioned bands have each achieved their...
Only on "Ahead" and "Over Theirs" does the band achieve any sort of success. The former is a shuffling, sequencer-laden dance tune, built around a piercing guitar riff. Though highly unoriginal, it's the record's only memorable tune. "Over Theirs" is a dirge-like ode to obscurity, in which singer Newman chortles about boundaries just out of sight, backed by a melodic guitar line and atmospheric keyboards. Although the band's art-school derision makes you cringe, the song achieves a sort of synthetic beauty despite itself...
...Dipper insert their bursts of oddity within relatively normal frameworks. All the songs on Dipper's debut EP, Boo-Boo, are vaguely recognizable forms of straight rock and roll, country or pop balladry. "Faith Healer," for example is a conventional rock tune made interesting by a contorted and bizarre riff, seemingly some sort of comment on the TV preacher of the title...