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Word: riffs (lookup in dictionary) (lookup stats)
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...riff Bulge...

Author: By Jeffrey R. Toobin, | Title: Bulldogs Thwart Women In Hoop Rematch, 69-60 | 2/24/1979 | See Source »

...MENTAL", the next song, uses hard-driving guitars and drums and a standard, half-strangled vocal line from Joey Ramone. The only shock comes when Johnny Ramone breaks into a lead riff. It's not that spectacular--Jerry Garcia has nothing to fear yet--but it's there and it's not bad. The entire band has come a long way from their first albums, when songs like "I Want to Sniff Some Glue" sounded like the band had been playing music for about two weeks, which wasn...

Author: By Thomas M. Levenson, | Title: No Sleeping Pill | 2/10/1979 | See Source »

Only once does the BSC seize the play's dark side and expose it to the audience. As Pompey the whoremaster (Mark Cartier) gives the audience a tour of the riff-raff in the prison, he opens trapdoors in the stage floor which serve as cell doors--and long arms reach out, grabbing for him, trying to drag him down. It's a good bit of stage business, and it's also an eerie picture of the starved world of Measure for Measure, sucking its inhabitants into the abyss...

Author: By Scott A. Rosenberg, | Title: Flirting With Justice | 2/3/1979 | See Source »

...Know," which follows, is very funny and includes some extremely suggestive lines from Belushi ("Baby, you know when you bend over I see every bit of Christmas, and when you bend back I'm looking right into the new year."). On "Soul Man" Cropper delivers the same great riff he's been playing for years, and fellow MG Duck Dunn's bass line is downright thunderous. " 'B' Movie Box Car Blues" and "Flip, Flop & Fly" are fine, though not up to the standards set by the album's other tracks...

Author: By Marc E. Raven, | Title: The Blues for Sure | 1/4/1979 | See Source »

Those with genuine talents stand out by maintaining unique musical personalities. They don't have much in common with the true three-riff, blast-their-ears-off punks except that they came along at about the same time. But the middle-aged record company executives, deafened by all the high-volume distortion, just signed them all on together--the execs think it's all the same to the kids, anyway...

Author: By Scott A. Rosenberg, | Title: New Wave's Old Wrinkle | 10/25/1978 | See Source »

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