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Actress Diana Rigg told a packed Longfellow Hall crowd yesterday that she was a "brick mausoleum without flying buttresses"--at least according to a critic who saw her acting debut...

Author: By Michael K. Mayo, | Title: Actress Rigg Addresses History of Criticism | 11/8/1990 | See Source »

MOTHER LOVE (PBS, debuting Oct. 25, 9 p.m. on most stations). Diana Rigg, classy host of PBS's Mystery! series, gets into the whodunit herself this time, playing a scheming woman who adores her son (James Wilby) as much as she hates his father (David McCallum...

Author: /time Magazine | Title: Critics' Voices: Oct. 29, 1990 | 10/29/1990 | See Source »

...will take effect only after 16 of the 20 sponsors formally approve its terms, a process that will probably extend well into next year. Even so, many environmentalists oppose any thought of disturbing the frigid region. The treaty "is a sellout of the environment to mining interests," charged Kelly Rigg, Antarctica campaign director of Greenpeace International, an environmental group that operates the only independent research station on the continent. Greenpeace, which plans to lobby against treaty approval in several countries, wants the continent to remain an international wildlife park...

Author: /time Magazine | Title: Antarctica How to Open Up the Coldest Cache | 6/20/1988 | See Source »

...felt in 1971 like a put-down of old-fashioned musicals for their saccharine irrelevance has evolved into an unabashed celebration of revolving multicolored staircases, grandes dames in glittery dresses and kick-stepping lines of chorus boys in top hats. One of the new numbers, performed deadpan by Diana Rigg, is a striptease ending in a bubble bath. The original Follies might have inspired the wisecrack that nostalgia isn't what it used to be, but in this version, it certainly...

Author: /time Magazine | Title: Theater: Bound For the U.S.A. | 8/3/1987 | See Source »

...youthful struggles in a tinkly, ironic forerunner of A Chorus Line's What I Did for Love; Who's That Woman?, a realization by a brassy belter (Lynda Baron) of how age has crept up on her; Could I Leave You?, an outpouring of vitriol from a neglected wife (Rigg); Losing My Mind, the pathetic admissions of a suppliant lover (Julia McKenzie). Sondheim's best lyric ever is I'm Still Here, an anthem of survival that compresses four decades of social history into the battered but unrepentant cry of a faded star. It gets a showstopping performance by Dolores...

Author: /time Magazine | Title: Theater: Bound For the U.S.A. | 8/3/1987 | See Source »

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