Word: right
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Dates: during 1960-1969
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...King) "Jimmy" Glassman want to hit the buzzer and get to say "Richard Nixon" on national teevee. And if any unpardonable breach occurred--for instance if someone being interviewed called Mr. Earle "Mr. Ludden" by mistake--they could erase the tape so smoothly hardly anyone would notice. Right after the show, the producer came up to Mr. Earle. "Okay, let's see what we can do with the tape," he said...
Cramer played on both the left and right sides as Coach John Yovicsin used three ends on his solid defensive team. Last year Cramer saw action only with the JV's, and he was not expected to be a major contributor this fall. An injury to Pete Hall enabled him to show his ability, and when Hall returned for the Dartmouth game, Cramer became the heavily-used "swing...
ABOUT MIDWAY through Hot Millions, a friend turned to me and said, "This movie has such ugly men." She's probably right--Peter Ustinov, Karl Malden, Bob Newhart and Robert Morley no doubt are ugly by most people's standards--and that's typical of the nice moves that went into the making of Hot Millions...
Words tend toward a Coney Island Mirko. They can say that Mirko looks intently at you while he speaks, and that he smiles at just the right moment to put you at ease, and that he really has fun when he shows you how his mobile sculpture moves and makes sounds when he pushes...
...Mirko s right when he denies stardom. To play Helen Hayes in the mid-twentieth century are scene which revolves around the blatantly rich New York market one must dream up a revolutionary original concept of art. There's Jackson Pollock, of course, who gave the physical making process so much more prominence than Mirko ever does. And there's Morris Louis, whose name and stripes of color are better known at Harvard than is Mirko. The action painter, the flat painter, the minimalist, the happening-creator, the sculptor of simple geometric forms at superhuman scale (Tony Smith...