Word: right
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Dates: during 1960-1969
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...course, right that faculty have often been spineless and that they have not sacrificed themselves to help students escape from military service. But how many students have sacrificed themselves for faculty when faculty faced various kinds of problems (smears in McCarthy days, etc.)? To be sure, everyone is willing to fight harder for things that most concern him than people who face less immediate difficulty. I do think, however, that many of us would be willing to exert ourselves more if we were persuaded we could really help. My point about CIA officials at Harvard...
...administration could not seriously believe that Mr. Hatchett's views on Shanker and the candidates will impede his managing a cultural and social center for blacks students at NYU, Hester's statement in this regard is disturbingly reminiscent of the arguments of right-wing legislators who view radical anti-war professors as "unfit" to hold university positions. There can be little doubt that the NYU action was influenced less by any dispassionate appraisal of Hatchett and his responsibilities than by the racially charged circumstances under which Hatchett's statement was made, and the public pressure on NYU which that atmosphere...
...trite on paper, but which are probably just the honest opinions of an Irishman who has been around a bit. "It's just like any other war," he says, "they never solve anything, it never does any good." The war's origin is simple, he feels: "the Ibos were right to secede. They're smart, the smartest in Africa, they have all the doctors and lawyers." Though the origin of the war is tribal, its continuation may be due to intervention, he says, noting that "there's a lot of oil under Biafra," and that the oil might have something...
After the meeting, Stephan A. Kaplan '69, president of the HUC, said "apparently a few guys wanted to check on some more facts to make sure that we can come out with the right thing...
...plot-type appearing frequently from Griffith's Way Down East through Chabrol's Les Cousins. Hollywood has begun to alter this: the conclusion of the product-mongers appears to be that innocence--at least sexual innocence--no longer exists anywhere, certainly not in the country. Hollywood is probably right: God knows they helped make it that way, and God know there's no money to be made in innocence. The three runaways in Dreifuss's film aren't frustrated youths seeking knowledge and fulfillment, but jaded refugees from the hang-ups of social-realist films of the fifties, desperate...