Word: rightfulness
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Casablancas’ lyrics work best when he embraces his appointed role as a lovable indie rock miscreant, guilty of overindulgence and carelessness. The excellent “Left & Right in the Dark” incorporates hand claps and a shimmering synth melody into his vocals about not knowing his way in the world: “I’m on my way, oh somewhere / Feels like I’m going left and right in the dark.” He brings a familiar tone of an unapologetic malcontent to “Ludlow Street...
...confusing experience. Despite running 40 minutes, “Phrazes” is a mere eight tracks. Consequently, the album feels too short while most of the tracks feel too long. His output is erratic: “11th Dimension” and “Left and Right in the Dark” stand among his finest work, while the rest of “Phrazes” suffers from a lack of creative inspiration. Casablancas’ solo effort proves that the Strokes truly were greater than the sum of their parts. For now, as the Strokes record...
...with a triple piourette into a few more turns in “coup de pied,” tacking on a double tour jump just for kicks. The other dancers flood center stage and crowd around him, relegating Kuperman’s frustrated character (the sculptor) to stage right...
...some of my stuff, to make the cell a little more quaint and comfortable. I asked him for my laptop, some books to read with all my free, imprisoned time, and a second pair of underwear. “No problem,” he smiled, heading right out, loosening my shackles and dead bolting the door as he left. Thirty minutes later he brought me a box filled with napkins and a small revolver with a single bullet. Not exactly what I asked for, but it was sweet of him to do what he could...
Killorn’s second tally against the Big Green came on the power play. He shot a loose puck into the net after junior defenseman Chris Huxley centered it from the left side, and sophomore forward Daniel Moriarty deflected it to the right side, where Killorn was waiting...