Word: rightness
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Dates: during 1990-1999
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...flaws to which Bond seemed vulnerable in past films have now surfaced, much to his disadvantage. For instance, his stoicism cedes to jealous rage when he learns that his enemy, Renard (Robbie Coltrane), had previously taken advantage of Elektra King (Sophie Marceau), Bond's latest interest. Bond's was right anger, but revealed an unprecedented dependence and emotion all the same...
Botterill, who centers the top forward line, anchored the offensive attack. Late in the first period at UNH on Saturday, Botterill grabbed a rebound inside the right circle and sent the puck top-shelf to give Harvard a 3-1 lead at the first intermission...
...some critics like precertification by another name. "It can't be assumed these guys are behaving in the interest [of patients]," says Judith Feder, a health-policy expert at Georgetown University. Maybe not, but last week's decision demonstrated that even self-interest can start an HMO down the right path...
...fees, have simply outlawed them. But last week the banks struck back. Wells Fargo and Bank of America began barring noncustomers from using their ATMs in Santa Monica, Calif., after the city council banned surcharges. San Francisco residents may soon be facing the same fate. "The banks have a right to earn a return on their investment," argues Joseph Morford, a banking analyst for Dain Rauscher Wessels in San Francisco. The machines cost up to $50,000 each. But consumers now appear to be lowering their own costs by cutting back on trips to the ATM. Amortize that...
...exults Orson Welles (Liev Schreiber, right, with Roy Scheider), describing his concept for Citizen Kane (studio production No. RKO 281): "A titanic figure of limitless ambition...controlling the deceptions of everyone beneath him." Welles means William Randolph Hearst, the ruthless magnate he would nail in the movie that, owing to Hearst's power, almost went unreleased. The irony: like Hearst, the auteur was driven to selfish cruelty for his (artistic) ends. Despite Schreiber's intensity and charm, this film never plumbs its subject's soul as Welles' did, but it's an often absorbing study of free expression...