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Word: rigolettos (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...belle (Magda Schneider) in whom the singer has taken an interest. The situation is untangled when she demands a serenade. When police try to arrest the swindler they naturally get the wrong man. Then comes the anticipated scene in which, to establish his identity, Enrico Ferraro sings arias from Rigoletto at police headquarters...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 24, 1933 | 4/24/1933 | See Source »

Simone Boccanegra has powerful, cumulative moments but it lacks the tunes which have made Rigoletto and Trovatore hurdy-gurdy matter. The plot is a complicated brew of political intrigue, kidnapping and poisoning which few in last week's audience attempted to define. Tibbett absorbed the attention. He sang magnificently, gave great dignity and force to the corsair who rose to be Doge in Genoa, finally died by the hand of his hunchbacked henchman. In one scene where he stopped a brawl and set a curse on the cringing hunchback, he was impressive enough to suggest the Boris Godounov...

Author: /time Magazine | Title: Music: Tibbett's Simone | 2/8/1932 | See Source »

...dumpy, henna-haired old lady standing perched on a platform, her immense bosom shining with sequins as the Old Lady hesitated, looked at the words she had written on a paper before her, began a little gingerly to sing the first staccato notes of the Caro Nome from Rigoletto...

Author: /time Magazine | Title: Music: Added Attraction | 1/25/1932 | See Source »

Louder than any tenor in Rigoletto, Per fumer François Coty complained last week of the fickleness of women. Women had smiled upon his perfume business, built up his fortune until it reached nearly $35,000,000 in the lush days of 1929, allowed him to buy newspapers, attempt to become Senator from Corsica...

Author: /time Magazine | Title: FRANCE: Catastrophic Coty | 12/14/1931 | See Source »

...plump, liquid-eyed tenor is Giacomo Lauri-Volpi, who earns fat contracts by hurling lusty high C's at the boxes in William Tell, caroling lushly in operatic staples like La Traviata and Rigoletto. He has been paid well by the Metropolitan Opera. But he says that the U. S. is culturally immature, that he will stay in Europe next year when his contract expires. There he is more appreciated. In Paris, for instance, it is a gala occasion when he sings as guest star; the Opera pushes up its prices a bit (usually $3.20 for best orchestra seats...

Author: /time Magazine | Title: Music: Star Crushed | 7/27/1931 | See Source »

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