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Word: rigolettos (lookup in dictionary) (lookup stats)
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Criticism or Insult? Is it insulting for a critic to write that a Rigoletto chorus sounded like "a bunch of miniature pinschers"? Indeed it is, cried 48 members of Austria's Graz Opera chorus, and they sued Critic Richard Ahne of the Graz Steirerblatt for likening them to yelping dogs...

Author: /time Magazine | Title: Music: Criticism or Insult? | 10/1/1951 | See Source »

...conductor of the Dresden Opera he spoke out boldly against state-controlled art ("I am a man, I hope, of a little bit of temperament, so I told everyone frankly what I thought about the Nazis"), left Germany in 1933 after Storm Troopers broke up a performance of Rigoletto...

Author: /time Magazine | Title: Milestones, Sep. 24, 1951 | 9/24/1951 | See Source »

...flex every muscle. But Lanza is in fine voice, and with such artists as the Met's Soprano Dorothy Kirsten and Mezzo-Soprano Blanche Thebom, he sings varied favorites by 13 composers from Verdi to Victor Herbert. On the program: La Donna E Mobile and the Quartet from Rigoletto; Vesti la Giubba from I Pagliacci; the Sextette from Lucia De Lammermoor...

Author: /time Magazine | Title: Cinema: The New Pictures, may 21, 1951 | 5/21/1951 | See Source »

...During the 22-week season there will also be brand-new productions of Aïda (directed by Margaret Webster), Rigoletto and Carmen. The Met will mount 21 operas...

Author: /time Magazine | Title: Music: Bing's Plans | 4/9/1951 | See Source »

...become a singer until he was 18, when his school friend, Giuseppe di Stefano (now a Met tenor), urged him to enter a competition in Florence ("It's free . . . there are girls . . ."). Though he knew only two arias, Siepi won the competition. He made his debut in Rigoletto two months later in a provincial opera house. When La Scala reopened in 1946, Siepi sang in the opening performance, soon came to be considered "the pillar" among La Scala's bass singers. A quick study, he now sings 40 roles...

Author: /time Magazine | Title: Music: Hello at the Met | 3/19/1951 | See Source »

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