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...Francisco Graphic Designer Michael Vanderbyl looks to Europe for inspirational rigor. The checkerboard fields and two-tone corded trim of Vanderbyl's bed linens for Esprit recall Josef Hoffmann. The palette (peach, delft, ash) is sober and cool, Wiener Werkstatte monochrome given a pastel California ruddiness. Vanderbyl sheets would go nicely in a Christopher Alexander house. Alexander, a Berkeley architect and urban theorist, has lately turned his militantly humanist attentions to office furniture. No workstations or open plans for him. Instead, Alexander and his colleagues have designed mass-production desks and bookcases that are solid and reassuringly old-fashioned, classic...

Author: /time Magazine | Title: Design: Echoes of The Past, Visions for the Present | 1/4/1988 | See Source »

...years of remote, enigmatic history, and for once the device accurately reflects reality. In the '50s, as a prisoner of the victorious Chinese Communists, Pu Yi (played as an adult by John Lone, who somehow makes stunned passivity hypnotic) was indeed forced to confront his past. The length and rigor of his sentence depended largely on how his recollections conformed to Maoist history, and so the simple act of remembrance becomes inherently suspenseful. More important, a contrast and an analogy are enforced by the close juxtaposition of past and present. The imperial past offered Pu Yi privilege at an awesome...

Author: /time Magazine | Title: Cinema: Free Fall Through History THE LAST EMPEROR | 11/23/1987 | See Source »

...Murphy, however, Esalen's greatest promise is probably that of an outlaw university, a place that can pursue "rigor in the service of adventure," rescuing learning from both the dryness of the academy and the wishy-washiness of many alternatives. Certainly, aphorisms fly every evening in the central redwood lodge, where seminarians cluster in excited groups over cups of coffee and thrash out Rilke and reincarnation deep into the night. "You do not visit India; you visit yourself," a New York investment analyst tells an Italian woman from Houston and her 18-year-old son. "Whether man finds things...

Author: /time Magazine | Title: In California: Being 25 and Following Your Bliss | 9/14/1987 | See Source »

Some of Vanderbyl's best work is found in a series of posters depicting postmodern architectural whimsies. He is wont to portray almost any three- dimensional object in gaily colored axonometric view, and the effect is a sort of jaunty rigor, Bauhaus on holiday. Another of Vanderbyl's fun-with- geometry motifs is a flurry of polychrome squiggles tossed onto a severe black or white field. In catalogs for Hickory Business Furniture, he has roughly scribbled in color over precise black-and-white photographs of chairs -- once again, antagonistic design impulses in playful coexistence...

Author: /time Magazine | Title: Design: Nouvelle Cuisine For the Eyes | 6/8/1987 | See Source »

...critically the most revered, personally the most reviled, of France's movie auteurs. A few days before, he had shown his new movie, Under the Sun of Satan, a stately adaptation of the Georges Bernanos novel about a self-torturing priest (Gerard Depardieu); its directorial style fell somewhere between rigor and rigor mortis. And now Yves Montand, president of this year's festival jury, was announcing the award of the Palme d'Or to Pialat's dour drama -- the first local product to grab the top prize since A Man and a Woman at the 20th fest...

Author: /time Magazine | Title: Show Business: Assault of The Movie Cannibals | 6/1/1987 | See Source »

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