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Schama's heavy tome, some of whose content the author originally delivered as lectures at Harvard, makes every attempt to be a definitive work on the painter, and it succeeds. First and foremost it is a narrative of the life and work of Rembrandt van Rijn, although calling it a "biography" somehow sounds reductive. It is equal parts analysis of Rembrandt's painting, documentation of his life and history of 17th century Holland, so sections of the book can be read with profit by anyone studying the artist, his art or the social history of the times...

Author: By Graeme Wood, CONTRIBUTING WRITER | Title: Rembrandt in Eyes of Beholder | 1/14/2000 | See Source »

...that is the reason for the ever reappearing ethnic conflict between Hutu and Tutsi, who were bundled into one state (Rwanda). Isn't it time to realize that every nation or group of people with a common descent, language and history should have the right of self-government? JAN RIJN ZEEVAART Pretoria...

Author: /time Magazine | Title: Letters: May 25, 1998 | 5/25/1998 | See Source »

...OFTEN COMPARE PAINTers with writers, because of the apples-and- oranges problem of imagining links between dissimilar arts. But in the case of Rembrandt van Rijn you can, and the temptation to do it, if not carried too far, can hardly be resisted. He was the Shakespeare of 17th century painting, even more so than Nicolas Poussin was the Milton...

Author: /time Magazine | Title: Art: Really Rembrandt? | 5/25/1992 | See Source »

...part of a special Harvard exhibit of drawings by the 17th century Dutch master, Rembrandt Van Rijn, and his students, Rembrandt and his School: Drawings from the Museum Boymans van Beuningen, Rotterdam will be on display at the Sackler Museum through January 28. The exhibit features more than 80 works; 25 are original Rembrandt drawings borrowed from the Rotterdam collection and from museums across the United States...

Author: By Angela S. Lee, | Title: Sublime Lines | 12/15/1989 | See Source »

Towering above them is Rembrandt van Rijn, the greatest Dutch artist of the 17th century and one of half a dozen supreme draftsmen in the history of the West. The show contains ten Rem brandt drawings, and to see them in the context of work by his more gifted students is to be reminded of the difficulties of attribution. They imitated just what, one would think, was inimitable in his style: Ferdinand Bol, for instance, got Rembrandt's quick hooking line down so pat that he reproduced it unconsciously. They could not, however, approach the beautiful, sure clarity with...

Author: /time Magazine | Title: Art: High Art from the Low Countries | 1/30/1978 | See Source »

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