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...aggressively ubiquitous as the Hard Rock Cafe. There are HOBs in New Orleans and Los Angeles. A new franchise will open in Chicago later this year; a location is being scouted in New York City (already teeming with theme restaurants); and venues are being planned for Tokyo, Paris, Rio de Janeiro and Berlin. Can Puttaparthi be far behind...

Author: /time Magazine | Title: MUSIC: SERVING UP THE BLUES | 7/1/1996 | See Source »

...grieving parents and friends of the dead. The genuine suffering of the victims makes me resent all the more the media's focusing so much attention on these murdered white, middle-class children while all but ignoring the equally unthinkable deaths of other youngsters: the street children of Rio de Janeiro, periodically murdered by authorities and vigilantes when their numbers grow too large; the child sex workers of Thailand and Indonesia, who die slow and painful deaths when they are infected with aids or addicted to drugs; the uncounted thousands of children of Rwanda, hacked to pieces for being Hutu...

Author: /time Magazine | Title: Letters, Apr. 15, 1996 | 4/15/1996 | See Source »

...been arrested. I came up with 500 without really trying," he says. After two years of research, he had 50 photos. The insights from such a noble enterprise? "Celebrities look alike," he says. "And they smack around their wives and girlfriends a lot." MIKE AND SPIKE GO TO RIO...

Author: /time Magazine | Title: People, Feb. 26, 1996 | 2/26/1996 | See Source »

MICHAEL JACKSON spent only six hours in the Santa Marta shantytown in Rio de Janeiro, but the visit made headlines for weeks. First a judge temporarily barred his film crew, headed by Spike Lee, from shooting the video for They Don't Care About Us in the slum. That resolved, Jackson arrived by helicopter and was swept into a newly painted house for two hours of makeup before being filmed singing and dancing on and around cinder-block shacks. Finally came revelations that the film company had unknowingly paid off local drug lords for permission to shoot. "Producers have...

Author: /time Magazine | Title: People, Feb. 26, 1996 | 2/26/1996 | See Source »

...could get movie roles but could fill them handsomely. They were, to be sure, tailored to his talent--alcoholics and playboys--and in them he moved easily: as the cowardly G.I. in The Young Lions or the sodden gambler in Some Came Running. He spends most of 1959's Rio Bravo, his best film, staring mournfully at a whiskey bottle he'd like to suck dry. Defeat glazes his eyes; it's the rare movie portrait of an alcoholic that skirts both sensation and sentiment...

Author: /time Magazine | Title: CROONING TOWARD OBLIVION: DEAN MARTIN (1917-1995) | 1/8/1996 | See Source »

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