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...Israeli delegations to withdraw from the meeting. They had no choice. Early drafts of the official communique included language on Israel's behavior that no American or Israeli government could tolerate. But that isn't the half of it. Like all U.N. gabfests since the first Earth Summit at Rio in 1992, the conference at Durban was but the formal core of a giant carnival, something like a medieval ice fair in a Bruegel painting. Increasingly, these "forums" of nongovernmental organizations have become the main event. In principle, the participation of ngos in international meetings is to be welcomed...

Author: /time Magazine | Title: The Disgrace in Durban | 9/17/2001 | See Source »

...technology. In Tijuana, Mexico, young DJs are crossing traditional norteno (a polka-like music) with not-at-all-traditional techno to create a fresh genre, Nortec. In Bogota, Colombia, the rock duo Aterciopelados is mixing old-time accordion-driven vallenato with clubland drum-'n'-bass beats. In Rio de Janeiro, Brazil, the great chanteuse Marisa Monte is smoothly blending samba...

Author: /time Magazine | Title: Music Goes Global | 9/15/2001 | See Source »

...Rio de Janeiro is the city in Brazil that people all over the world know. They know the cathedrals and the samba clubs, the curved white strip of Copacabana beach, the spread-armed statue of Cristo Redentor on the peak of Corcovado mountain. Sao Paulo, on the other hand, is the city that foreigners don't know. They don't know that it is in many ways Brazil's musical center, accounting for 57% of record sales in the country, vs. 13% for Rio. They don't know that, with a population of 17 million, it is not only...

Author: /time Magazine | Title: Max De Castro: Beyond Bossa Nova | 9/15/2001 | See Source »

...Castro was born in Rio and grew up in a luxurious apartment on Avenida Atlantica. As a teen, he listened to American soul music. "At that time Max liked to copy Prince," says Joao Marcello Boscoli, a friend of De Castro's and head of Trama, his record label. "He used to slide across the floor to open the door, playing an imaginary guitar." Soon De Castro discovered the great Brazilian music that had been playing around him all along--Powell, Ben and Moacir Santos. His embrace of the music of his homeland was only logical. His father Wilson Simonal...

Author: /time Magazine | Title: Max De Castro: Beyond Bossa Nova | 9/15/2001 | See Source »

...influences range from the bossa-nova and samba bands of his native land to the New York City new-wave group DNA. "Of course, there are influences [on Music Typewriter] from electronic music, from jazz, from experimental music and other things, like old funk," says Veloso, who lives in Rio de Janeiro. "But in a way, that for us is totally Brazilian...

Author: /time Magazine | Title: Fast Forward: Moreno Veloso | 9/15/2001 | See Source »

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