Word: rip
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Dates: during 1980-1989
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...decades, film exhibition was, as Industry Analyst Paul Kagan notes, "essentially a Rip Van Winkle business." Exhibitors let their urban theaters decay into rancid zoos, with crummy projection and that mysterious glop that makes your shoes stick to the flypaper floor. Or they sliced handsome old palaces into tiny tenement cinemas, where SRO could mean not standing room only but single-room occupancy. In the suburbs the exhibitors moved into malls, where their "plexes" had all the charm of welfare clinics. The malls may have saved movies, bringing picture houses into bustling new neighborhoods, but the salvage job was short...
...European designers Valentino, Emanuel Ungaro and Claude Montana will arrive in stores next spring bearing wafer-thin holograms that are glued to labels inside the clothing. The images, virtually impossible to copy, will certify to shoppers and retailers that the designer pieces are authentic. Anyone who tries to rip out the label and transfer it to a counterfeit designer garment will ruin the hologram. Clothing manufacturers hope the holograms will put a big dent in the more than $700 million in profits that they lose to knock-off artists each year...
...memory -- of Howdy Doody and Beaver Cleaver, of public events (most vividly and traumatically, the assassination of President John Kennedy). Then, in the mid- and later '60s, the young endlessly enriched and elaborated their culture, through music mainly and through drugs and costume and linguistic style (groovy, far-out, rip-off, bummer, bread, acid head, pigs, narcs, rap, trash). They made a worldwide cultural revolution...
...like some musical Rip Van Winkle, a 19th century man awoke today in a concert hall or an opera house after decades of slumber, he would find that things had hardly changed. Stirring to life in his seat, he would pick up the comforting strains of a Beethoven symphony. Blinking his eyes in the theater's darkness, he would notice the familiar sets of a Verdi opera. Only after he stumbled to his feet at the end of the program and sought out his horse and carriage would he learn that, for the rest of the world, time had indeed...
...this morning in Far Rockaway, the architecturals are still firmly attached to history. In the rubble-strewn grand hall that smells of ashes and mildew, Israel carefully pries at a piece of mahogany doorway molding. "You can't just come in and say, 'Hey, let's rip it down.' You have to get a feel for the construction," he says. "You have to ask if the craftsmen used nails, glue or screws...