Word: ripper
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...Catholics as well as Protestants, who could stand Naziism no longer. TIME'S cover, showing Organist Adolf Hitler playing his hymn of hate in a desecrated cathedral while victims dangle on a St. Catherine's wheel and the Nazi hierarchy looks on, was drawn by Baron Rudolph Charles von Ripper (see p. 20), a Catholic who found Germany intolerable. Meanwhile, Germany has become a nation of uniforms, goose-stepping to Hitler's tune, where boys of ten are taught to throw hand grenades, where women are regarded as breeding machines. Most cruel joke of all, however, has been played...
...peace stirred an etcher to the anger and disgust shown in a portfolio to be exhibited early this month at the Baltimore Museum of Art. Entitled Ecraser l'Infàme ("Crush the Infamous"), these etchings are by a 33-year-old Austrian, Baron Rudolf Charles von Ripper, an "Aryan" and devout Roman Catholic, who, in the winter of 1933-34, spent three and a half months in a Nazi political prison on a charge of high treason...
...self-taught artist and international wanderer, friend of Grosz in Berlin in the middle '20s, von Ripper resisted Nazi beatings so well that the late Austrian Government was finally able to rescue him. Elaborately Freudian and symbolic, his etchings are related in texture and technique as closely to Goya as to Contemporaries Grosz and Max Ernst. One of them is of the Man of the Year (see cover}. Artist von Ripper, an "Enemy of the State" in Germany, considers his work his answer to a Gestapo-Commissioner who warned him to keep his mouth shut...
When Lulu was jailed for murder, homosexual Countess Geschwitz helped her escape. In Paris, Lulu philandered crazily with gamblers, procurers and swindlers. The end came in a sordid London attic. Impoverished Lulu combed the streets incessantly for men, made the mistake of bringing home Jack the Ripper. The orchestra reached a shuddering climax when the sadist disemboweled Lulu, concluded sombrely with Countess Geschwitz wailing over her "angel...
...fortunate in not possessing a 'tutor's table.' In consequence the dining hall is always fertile territory for the development of faculty-student friendships. Beginning with Seymour Harris, the Senior Tutor, through Gale Noyes, Crane Brinton, Paul Doolin, and on down to John "Jack the Ripper" Rackliffe, the staff of resident Tutors combines with a staff of thirteen nonresident Tutors to assure the man in any field of concentration instruction within the House...