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Word: rippingly (lookup in dictionary) (lookup stats)
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...change allowed the team to rip off four straight games and take what appeared to be a commanding 5-3 lead with momentum in hand...

Author: By Keith S. Greenawalt, CRIMSON STAFF WRITER | Title: M. Tennis Wins Rolex Doubles Finals | 11/10/1998 | See Source »

...boys. Tell your girl to takenote of Sadat's story in "The Beat Change" andespecially Puba's in "Probable Cause." And how canyou go wrong with Common on your album (even if hedoesn't rip as we know...

Author: By Andres A. Ramos, CONTRIBUTING WRITER | Title: Brand New Nubian | 11/6/1998 | See Source »

...group heads back to their motel for a drunken party and all seems good until Valeck (Thomas Ian Griffith), the oldest and most powerful vampire on Earth, bursts out of the ground looking like an undead Fabio. He has lightning-quick speed, superhuman strength and grins maliciously as bullets rip through his body. He promptly heads over to the motel and coldly and efficiently slaughters the entire team, the only survivors being Crow and his best buddy Montoya (Daniel Baldwin...

Author: By William Gienapp, CONTRIBUTING WRITER | Title: John Carpenter's Vampires Has a Bloody Bite | 11/6/1998 | See Source »

...initial lulling sounds, with some subtle variations. The listener is left wondering what will happen next, as "Anthropod" demonstrates the tremendously effective element of surprise in Hovercraft's music. The track continues with a few pseudo-build-ups, each dissipating before reaching a climax. Unexpectedly, the drums and guitar rip into a tsunami of sound and grinding samples, which is quite startling but seems to lack the adrenaline rush of the initial climax. The song then predictably fades into another quiet interlude, except this time the tranquil monotony spans almost four minutes without a single break...

Author: By Chris Blazejewski, CONTRIBUTING WRITER | Title: Eddie Doesn't Get Lucky: Hovercraft Crashes | 10/30/1998 | See Source »

Suys, who has been playing the guitar for nineteen years, provides most of the punch behind Nashville Pussy's music. In the rip-roaring "Go Motherfucker Go," Suys proves herself to be more than just a passing instrumentalist, with admirable riffs that pretty much make the song. The fiery introduction to "All Fucked Up" is an exceptional example of her skill. Any notion that "chicks" can't cut it in the heavy metal world will quickly be put to rest by her amazing guitar pyrotechnics; as she is one of the few truly talented female guitarists in rock and roll...

Author: By Myung! H. Joh, CONTRIBUTING WRITER | Title: They Came from the Grand 'Ole Opry | 10/30/1998 | See Source »

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