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...Artist Bert Bliss, who has been at it for more than 20 years. Bliss, who works with rayon chiffons, cottons and velvets, does his dyeing in the kitchen, like any housewife. And instead of Annie's concoctions of lye and anilines, he uses a home dyeing product called Rit, right from the supermarket shelf...

Author: /time Magazine | Title: Modern Living: The Psychedelic Tie-Dye Look | 1/26/1970 | See Source »

Dazzling Variations. So does the Manhattan husband-and-wife team of Will and Eileen Richardson, whose brand-new firm, Up Tied, is considered the best tie-dyer in the city. Up Tied was conceived only last February when Artist Richardson, commissioned to do a display for Rit, rashly announced that he could make better tie-dye samples than the Rit people had supplied him with. They gave him four days to try. The Richardsons set to work frantically to learn-and found tie-dyeing to be both a simple and remarkably creative...

Author: /time Magazine | Title: Modern Living: The Psychedelic Tie-Dye Look | 1/26/1970 | See Source »

...couple themselves suggested that the BBC and commercial British television might like to film an intimate picture of them en famille. This result was edited from almost a year's shooting, and shows Queen Elizabeth, Prince Philip and the young royals behaving with cinéma vérité candor...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

Hoffman and his co-film maker Jonathan Gordon focus blurrily on a corpulent little insurance hustler from Long Island named Murray King. In the cinéma vérité manner, they track him with camera and sound equipment from his office through some endless conferences to a business vacation at Caesars Palace in Las Vegas, all the while mocking their subject and his legion of clients, chippies and hangers-on. Despite the documentary pretense, it turns out that many of the scenes were staged expressly for the film. Only diehard viewers who survive to the last few frames...

Author: /time Magazine | Title: Cinema: Faking It | 5/16/1969 | See Source »

...staff of the Public Broadcasting Laboratory was naturally let down. Then last month PBL, the Ford Foundation's $12.5 million experiment in public-interest television, began its second year on an encouragingly upbeat note (TIME, Dec. 6). Birth and Death, PBL's cinéma vérité documentary on natural childbirth and death by cancer, won critical acclaim, and the staff was jubilant. Said Executive Director Av (Avram) Westin: "This year we go for broke...

Author: /time Magazine | Title: Public TV: Due to Circumstances . . . | 1/17/1969 | See Source »

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