Word: ritt
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...place of Ian Fleming, we have John le Carre, and outgrowths thereof. The drab, coarse, hand-to-mouth existence led by unshaven forty-pounds-a-month British counter-intelligence persons appears to have awakened yet another romantic streak in the masses. The first of the new breed was Martin Ritt's deliberately ugly adaptation of Spy Who Came in from the Cold; there followed The Ipcress File (which might be termed a transitional product), and now The Deadly A flair, The Quiller Memorandum, and Funeral in Berlin...
...CAME IN FROM THE COLD. A grainy, gritty double exposure of the spy racket on both sides of the Berlin Wall. Richard Burton is brilliant as a Western burned-out case; Oskar Werner is his pre-eminent prey from the East. Martin Ritt (Hud) is responsible for the superb direction...
...CAME IN FROM THE COLD. A grainy, gritty double exposure of the spy racket on both sides of the Berlin Wall. Richard Burton is brilliant as a Western burned-out case; Oskar Werner is his preeminent prey from the East. Martin Ritt (Hud) is responsible for the near-perfect direction...
...CAME IN FROM THE COLD. The grey nether world of espionage, in a masterly re-creation by Director Martin Ritt (Hud), with Richard Burton as the disillusioned British agent on a cruelly subtle mission behind the Wall. Oskar Werner is his East German quarry...
...CAME IN FROM THE COLD. The grey nether world of espionage, in a masterly re-creation by Director Martin Ritt (Hud) with Richard Burton as the disillusioned British agent on a cruelly subtle mission behind the Wall. Oskar Werner is his East German quarry...