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Died. Dr. Eric Berne, 60, psychiatrist and author of Games People Play; of a heart attack; in Monterey, Calif. As a group therapist, he observed that people acted and reacted in repetitious, tightly defined ritual "games." After further casework and analysis buttressed his findings, he invented breezy names (Frigid Woman; Now I've Got You, You Son of a Bitch; I'm Only Trying to Help You) and published Games in 1964. Intended for therapists, the book scored a sales blitz (650,000 hardcover, 2,000,000 paperback). It also attracted criticism from Berne's colleagues...

Author: /time Magazine | Title: Milestones: Jul. 27, 1970 | 7/27/1970 | See Source »

...creative consciousness: toward massed composition, flat surface, simplified color and, above all, a mood of subtly altered consciousness, which from then on became a major Matisse characteristic. He turns the viewer on to an exaltation, whether ice-cool or abandoned, like the joyful seriousness that perfused public ritual in classical Greece. The result is that "nearly religious feeling" that Matisse said he had toward life...

Author: /time Magazine | Title: Art: Matisse's Imprint Upon an Age | 7/13/1970 | See Source »

Senclick explains his Oedipus best by calling it a ritual. It is somewhat like Shakesepare's The Winter's Tale as a celebration of natural harmony and order, and an acceptance of human imperfection. Senclick at times seems possessed by these imperfections...

Author: By David R. Ignatius, | Title: At Agassiz Seneca's Oedipus | 7/10/1970 | See Source »

...forms Senelick has chosen to convey ritual are highly derivative: he has borrowed Oriental Kabuki gestures for Oedipus and locasta, and this works very well, stylizing their "act" of semi-divinity almost to satire. For the Chorus he has assimilated the chanting and stick-beating rhythms of the Open Theater, the serpentine body piles of the Living Theater, and the copulation mime of Marat/Sade. All are dramatically sound, but one is aware of their unoriginality...

Author: By David R. Ignatius, | Title: At Agassiz Seneca's Oedipus | 7/10/1970 | See Source »

Roger was still there for the Coda; when the darkness of city life re-emerged as meth-amphetamine. It was a ritual victory for plastic and concrete, and Roger, after getting ripped-off and beat up, came back East. But since it all happens about a year late in Cambridge, he was just in time for the capitulation of Cambridge Hippic. He was all set, in a sense. Roger probably would not think of it in these terms. This is overview, and what Roger knows about his life now is what he new then: that he has to stay alive...

Author: By David R. Ignatius, | Title: Freaks Living in Our Streets: Let a Hundred Flowers Bloom | 7/2/1970 | See Source »

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