Word: river
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Dates: during 1950-1959
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Since then, the Suttons, Sand and their Colaborers have drilled a 125-ft. well, installed a gasoline power generator, raised 63 sturdy cabins and a schoolhouse-church. They have built a bridge and spur road to short-cut the trip to the Paraná River, are starting another school, a separate church, and several more frame houses for the Colaborer families soon to follow. They hold Sunday and evening services for hundreds of Brazilians, show film strips, pass out Portuguese-language Bibles and prayer books. George Sutton, 35, has trimmed off 35 lbs., put calluses on his hands lugging buckets...
Oxala & Ogun. The upsurge of spiritism in Roman Catholic (95%) Brazil is a phenomenon of the past decade, but its roots go deep. Slaves brought their gods from Africa, and many of them changed in their new country: among the Nagôs, Yemanjá was a river goddess who became a sea goddess on the journey across the water; Calunga, the Bantu sea god, became the god of death during the slave ship trip to Brazil. The spirit deities also merged with Catholic theology: Oxala is both the Lord of Creation and Christ, Yemanjá is also Our Lady...
Rickover's Rakeover. With a seaman's instinct for omens, Commander Anderson early spotted his future. As a boy, in Bakerville, Tenn., he and a playmate would seal off most of the decks of a couple of rowboats, invert the craft on the river, poke their heads into the unsealed air pockets and stage mock U-boat fights. Annapolis trained, with an outstanding submariner record in World War II and Korea (Trutta, Tang, Wahoo), Anderson was tapped for duty with Admiral Hyman Rickover's NRB (Naval Reactors Branch) in January 1956. First came an interview with...
Playhouse 90 (CBS, 9:30-11 p.m.). Adapted from Pierre (The Bridge over the River Kwai) Boulle's novel, Face of a Hero should at least prove the novelist's versatility as it switches from the Far East to small-town melodrama in the U.S. South. With Jack Lemmon, James Gregory and Rip Torn...
...shape the major part of Feininger's art: it was his passion for American precision, as expressed in Manhattan's illimitable grid of straight streets, its now-vanished els, old New York Central trains with diamond-shaped smokestack and steam domes of polished brass, and Hudson River sidewheelers and yachts, of which he used to build faithful models. There, working side by side with fellow fantasists, topped by Paul Klee. and fellow precisionists, notably Josef Albers. Feininger evolved the weird, airy, many-faceted style that...