Word: river
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Dates: during 1950-1959
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Among the rich racketeers who commute to their showplaces in the western Chicago suburb of River Forest (pop. 12,500), none lives in higher style than Anthony Joseph Accardo, 52, top banana in the crime syndicate founded by the late Al ("Scarface") Capone. Tough Accardo's $200,000 stone and concrete mansion, designed like a combination pleasure dome and pillbox, offers various conveniences: an indoor swimming pool, two bowling alleys, a pipe organ, a roof garden where strolling violinists play dinnertime waltzes, vast reception rooms, six master bedrooms, baths where the water flows from gold faucets, and-a special...
Questioned in the witness chair about mob-union connections, Teitelbaum tried to duck under the Fifth Amendment and the First, Sixth and Sixteenth. Back in River Forest, glued to their TV sets for the Chicago telecast of the hearings, Tony Accardo's neighbors began to catch a glimpse of how he earns his living...
...orchestra swings into a blasting reprise of the show's big tune, a walloping march called Seventy-Six Trombones. The audience applauds. Up goes the curtain again. And onstage for the curtain call throng the 67 men, women, boys and girls of the cast-the folks of River City, Iowa ("pop. 2,212"), in the summer of 1912. Marching two by two they go, first to one side, then to the other, and then back again. They pantomime the players of a big brass band -trombones sliding, cornets flashing, cymbals smashing, piccolos chirping, wood winds whining, drumheads cracking...
...Majestic Theater. By Broadway standards, it is simpleminded and unsophisticated. It is also warmhearted, brilliantly performed and a lot of fun. The Music Man is Professor Harold Hill, a glib-tongued, fast-footed, woman-chasing rascal of a traveling salesman from Gary, Ind., who bursts into staid River City, charms a frozen-faced populace into digging into their cookie jars and mattresses to buy instruments and uniforms for a boys' marching band that will be led by Professor Hill himself. The show winds up with an enlivened townsfolk who know the score, and a mildly reformed Pied Piper...
There is nothing heavy about Bob Preston's Music Man. Feathery-footed, nimble-fingered, he is brassy, sassy and seemingly inexhaustible. Setting his style in his first big scene, he pounces on River City, peopled by folk straight out of Grant Wood's famed painting, American Gothic (one farm couple, in fact, gives a hilarious imitation, pitchfork and all, of the pair in the painting). River Cityans are high-minded, self-righteous...